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PAY NO ATTENTION TO THE PERCENTAGE OF YOUR GRADE ON CANVAS. IT HAS NO RELATION TO YOUR FINAL GRADE.UF gives you access to a large streaming collection here:
Swank Digital Campus – Swank provides access to feature films and documentaries.
"Happiness has no story."
--Jules Barbey
Literature may not make you a better person. But it may make you a better reader. And it may inspire you to become a scholar, to learn how to learn. Critical thinking, imo, is often a misnomer. It often means: think the way I do; arrive at the same conclusions the same way. Thnking critically, for our purposes, means posing questions, learning what a good question is.
This will be a discussion class, not a lecture, and I encourage you to befriend each other by meeting on group on and by continuing discussion independently after class.
If you have a question or a problem in urgent need of resolution, please contact me in class or at [email protected].
There will be no film screenings. You must watch the films on disc or streaming on your own.
I WILL GIVE A SHORT QUIZ at the beginning of every class. If you miss the quiz, I count you absent.
YOUR FIRST ASSIGNMENT is due Tuesday, January 14 by 5:00 p.m.
Due 5:00 p.m: After you watch Orson Welles's Citizen Kane on UF's free Swank Digital Campus, write two Discussion Questions (DQ) on the film (200 words max) and describe any three shots of your choice with three film analysis terms (100 words max).
Post your DQs and shots BOTH on Canvas AND this Google doc
The Google doc gives examples of the format for discussion questions and three shots. Assignments are always due Mondays and Wednesdays by 5:00 p.m.
Discussion Questions etc. are due every Sunday, Tuesday, and Thursday by 5:00 p.m.
One Discussion Question (DQ) and descriptions of any three shots of your choice with film analysis terms (or definitions of any Three Big Words if we're reading an essay) are due every Sunday, Tuesday, and Thursday by 5:00 p.m. unless otherwise noted.
Computers are not allowed to be used in class.
Please turn off your cell phones and computers before class.
Take notes with paper and pen or pencil.
There is a treasure trove of resources on close reading here:
https://www.closereadingarchive.org/teaching
UF gives you access to a large streaming collection here:
Swank Digital Campus – Swank provides access to feature films and documentaries.
Tentative Schedule: (Please expect minor adjustments to be made in the schedule from time to time; all changes will be announced both in class and on the class email listserv
January 13 Can You Make a Fake Film? What is in the frame and not in the frame? The Film Frame; the Painting Frame; the Window Frame; the Door Frame / Spatial metaphors: The Threshold; Temporal Prepositions: through, around
When Citizen Kane met Bambi: The Lost Paintings of Tyrus Wong [CONTAINS SPOILERS]
Reommended Resources:
Artist Tyrus Wong and Disney's 'Bambi'
1. "This Film Does Not Exist" NY TIMES JANUARY 13, 2023 On Jodorwoski's plans for Tron and A.I. imaging of film.
2. A.I. Made These Movies Sharper. Critics Say It Ruined Them.
Machine-learning technologies are being used in film restoration for new home video releases. But some viewers strongly dislike the results.
By Calum Marsh Published April 13, 2024 Updated April 15, 2024
It’s already powering remarkable visual innovations, like in the new movie “Here.” But boosters think that’s just the beginning.
By Devin Gordon Published Nov. 1, 2024 Updated Nov. 6, 2024
24 Frames (Abbas Kiarostami, 2021)
24 FRAMES Abbas Kiarostami (1 Frame)
Pieter Bruegel the Elder, "Hunters in the Snow," 1565
January 15 FAKE NEWS
Required Viewing:
Citizen Kane (dir. Orson Welles, 1941)
UF gives you access to a large streaming collection here:
Swank Digital Campus Swank provides access to feature films and documentaries.
News on the March is a parody of the March of Time film series.
RECOMMENDED:
LARRY GREENEMEIER, "Could AI be the future of fake news and product reviews?" OCTOBER 16, 2017
January 17 (Write one DQ on each viewing and choose two shots from one and one shot from the other.)
REQUIRED VIEWING:
1. Paintings In Movies: From 2001: A Space Odyssey to Portrait of a Lady on Fire
2. What is fake, what is real? - VPRO documentary
Recommended Reading:
GREGORY ZINMAN, THE REPLACEMENTS: AI IN THE MOVIES FEATURES AUG 10, 2023
"A Crisis of Fakes," New York Times, March 18, 2001, 36-41; 52; 55; 66; 78
"The Fake-News Fallacy" New Yorker 2017
Ce livre a été écrit par une IA (et ça pose plein de questions)
January 20
MLK, Jr. Holiday
January 22 The Film Frame and the Painting Frame
REQUIRED VIEWING:
F for Fake (dir. Orson Welles, 1973)
Recommended Reading and Viewing:
Le Mystère Picasso (dir. Henri-Georges Clouzot, 1956) Sometimes the process of Picasso painting is shown through animation (without anyone painting). Fake painting?
Made You Look: A True Story About Fake Art | Teaser Clip (dir. Barry Avrich, 2021)
Today in Art #28 - Surging Market in Fake Prints
"Restoring and Reproducing Art"
To sign up to co-lead class beginning January 29, go to this google doc. Do not co-lead with the same person twice and co-lead at least four weeks after the first time you co-lead.
Once you have a partner to co-lead class discussion, create a google doc for your notes and share it with me by 5:00 p.m. the day before you are co-leading so I can add my thoughts. Make sure you allow me access so I can edit the document.
January 24
REQUIRED VIEWING:
Recommended Viewing and Reading:
F for Fake (1973) - How to Structure a Video Essay
Le roman d'un tricheur (The Story of a Cheat, dir. Sacha Guitry, 1936)
January 27
REQUIRED VIEWING:
The French Dispatch (dir. Wes Anderson, 2021) Streaming on Amazon and AppleTV
Recommended Resources:
Painters Painting: The New York Art Scene 1940-1970 (dir. Emile de Antonio, 1972).
The Grand Budapest (dir. Wes Andersen, 2014)
David Grann, "The Mark of a Masterpiece: The man who keeps finding famous fingerprints on uncelebrated works of art" New Yorker, July 12, 2010
Painter charged with making fake Jackson Pollock paintings (July 2014)
The auction scene in North by Northwest (dir. Alfred Hitchcock, 1959)
January 29 Filming the Fantastic (Genre)
REQUIRED VIEWING: The introductory frame by the host of the film and the first story, "Corridor of Mirrors" in Three Cases of Murder (dir. David Eady, Wendy Toye George More O'Ferrall 1955). You don't need to watch the other two stories. Available for free on youtube and on the Criterion Channel) Trailer
Recommended Reading:
"The Horror Gem That Kicks Off Three Cases of Murder" Laura Kern OCT 1, 2021
January 31
REQUIRED READING
Read the this linked pdf and read the four webpages below on a 1997 art exhibition about a discovered painting). WRITE ONE QUESTION ABOUT 1 AND 2, AND WRITE A SECOND QUESTION ABOUT 3 AND 4:
1. "Recovering Lost Fictions: Caravaggio's Musicians" (exhibition)
1997, MIT List Visual Arts Center2. Recovering Lost Fictions Caravaggio's Musicians (catalogue by Jeph Gely)
3 .Kathleen Gilje, "Musicans Restored"
Recommended Reading:
Kathleen Gilje / "Revised and Restored"
Michelangelo Merisi da Caravaggio. The Lute-Player. Marking
the end of the restoration"Unlocking Leonardo"
15 years after discovering a hidden drawing beneath Leonardo’s Virgin of the Rocks, we uncover more of the mystery
https://www.nationalgallery.org.uk/exhibitions/past/leonardo-experience-a-masterpiece/unlocking-leonardoLeonardo's masterpiece: a 30 second introduction | National Gallery
Musicians, RestoredOil on canvas34 5/8” x 47 1/16”1993
Installation view, Recovering Lost Fictions: Caravaggio's Musicians, MIT List Visual Arts Center, 1997
Rijksmuseum’s Vermeer Show to Include Recently Disputed Work - The New York Times
Pablo Picasso, 1921, Three Musicians, oil on canvasFebruary 3
REQUIRED VIEWINGS:
1. The Mezzotint (2021)
2. Classic Ghost Stories with Robert Powell (BBC, 1986) Omnibus
Recommended: Dramatized reading of the story.
MR James - The Mezzotint (featuring Michael Bryant)
February 5
REQUIRED VIEWING:
La Main du Diable / The Devil's Hand (dir. Maurice Tourneur, 1943) with English subtitles
February 7
REQUIRED VIEWING:
La Main du Diable (dir. Maurice Tourneur, 1943)
Recommended Reading:
Film Review by James Travers, 2012
“Does Damnation Mean Anything To You?” – La Main Du Diable (1943) Published by Orrin Grey on December 2, 2024
FIRST PAPER DUE Saturday, September 29, by 11:59 p.m.:
Film Clip Analysis Assignment 1,000 words max
Email the link to your google doc to me at [email protected].
Live GRADING in 4314 Turlington. We will meet at my office in person to discuss your assignment. I will send out an email with a link to a google with a schedule of times we can meet. You'll just need to sign up.
February 10
REQUIRED VIEWING:
Scarlet Street (dir. Fritz Lang, 1945)
Recommended Viewing:
La Chienne (dir. Jean Renoir, 1931) On archive.org for free here. On the Criterion Channel here.
February 12 Painter, Embezzler, Victim of a woman and man, Guilty of Murder but gets away with it
REQUIRED VIEWING:
Scarlet Street (dir. Fritz Lang, 1945)
February 14 The Flip-Side of the Portrait
REQUIRED VIEWING:
The Woman in the Window (dir. Fritz Lang, 1944)
February 17
REQUIRED VIEWING:
The Hypothesis of the Stolen Painting(dir. Raúl Ruiz, 1979)
February 19
REQUIRED VIEWING:
The Hypothesis of the Stolen Painting (dir. Raúl Ruiz, 1979)
February 21
REQUIRED READNG:
Sheridan Le Fanu's 1839 gothic tale "Strange Event in the Life of Schalken the Painter" (online here) "Schalken the Painter"
"Sheridan Le Fanu’s 1839 ‘Strange Event in the Life of Schalcken the Painter’, a short story in which the real-life genre painter and portraitist Godfried Schalcken (1647-1706), a student of Gerrit Dou (1613-75), receives a visitation from the spectre of the woman he once loved but forsook."
February 24
REQUIRED VIEWING:
Schalcken the Painter (dir. Leslie Megahey, 1979)
Recommended Resources:
https://www.bfi.org.uk/features/why-i-love-schalcken-painter.
CLOSE READ Jason Farago, "Seeing Our Own Reflection in the Birth of the Self-Portrait" Sept. 25, 2020
February 26
REQUIRED VIEWING:
Mr. Klein (dir. Joseph Losey, 1976)
Adriaen Van Ostade in Mr.Klein
February 28
REQUIRED VIEWING:
March 3 Religion and Art: "Le Fant-Ame" ("Fantôme" and "Ame")
The Apparition (dir. Xavier Giannoli, 2018)
Recommended Resources:
L'Apparition trailer in English
Jesus as Ghost in Fresco
The Great Masters—Fra Angelico: God, Nature and Art 32:49
Restaurada-la-anunciacion-de-fra-angelico
The restoration of “The Annunciation” by Fra Angelico
fra-angelico/scenes-from-the-life-of-christ-1452-1
Fra Angelico: Scenes de la vie de Jesus (2000) Alain Nave
March 5
REQUIRED VIEWING:
The Apparition (dir. Xavier Giannoli, 2018)
Recommended:
Bande-annonce de “L’Apparition”, le nouveau film de Xavier Giannoli
March 7
REQUIRED VIEWING:
Purple Noon (dir. René Clément, 1960)
Recommended:
PLEIN SOLEIL - Official UK Trailer - Rediscover The Classic "Plein Soleil" means "Broad daylight."
March 10
REQUIRED VIEWING:
Vertigo (dir. Alfred Hitchcock, 1957) Pay attention to the flowers, the jewelry, and the portraits.
Recommended Viewing:
Part 1 VERTIGO investigating a HITCHCOCK masterpiece
The Art of Framing: Hitchcock's Vertigo
March 12
REQUIRED VIEWING:
Vertigo (dir. Alfred Hitchcock, 1957)
"Portrait of Comtesse d'Haussonville," Ingres, 1845
March 14
REQUIRED VIEWING:
VERTIGO, THE LEGION OF HONOR & LAVINIA FONTANA
The Dark Galleries, Steven Jacobs and Lisa Colpaert
SECOND PAPER:
or
or
Make a Trailer Assignment 2025
DUE Saturday, , by 11:59 p.m
I want to focus on editing for the remainder of the semester. Instead of choosing three single shots, chose three edits—two to three contiguous shots.Describe the edit and then analyze it.
1. Description: Give the two to three shots and the kind of cut or cuts between them, with timestamps.
Your second paper is due on Saturday by 11:59 p.m.
Analyse the edit.
March 17
Spring Break
March 19
Spring Break
March 21
Spring Break
March 24
REQUIRED VIEWING:
Personal Shopper (2016) and the faux Victor Hugo documentary https://www.criterion.com/films/29252-personal-shopper
Recommended Viewing and Reading:
BEYOND THE VISIBLE: HILMA AF KLINT - official US trailer
HILMA AF KLINT: A PIONEER OF ABSTRACTION Iris Muller-westermann
https://zeitgeistfilms.com/film/beyondthevisiblehilmaafklint
‘Victor Hugo’s Conversations with the Spirit World: Literary Genius’s Hidden Life’ by John Chambers. Rochester, VT: Destiny Books, 1998.
March 26
REQUIRED VIEWING:
Personal Shopper (dir. Olivier Assayas, 2016) and the faux Victor Hugo documentary on multiple screens
March 28 Reading by Chance: Sortes Bibli
REQUIRED VIEWING:
M. R. James, "The Ash Tree" BBC 1986, with Robert Powell
March 31
REQUIRED VIEWING:
Close-Up (Abbas Kiarostami,1990) Criterion on Youtube here. On archive.org.
April 2
Close-Up (Abbas Kiarostami,1990) Criterion on Youtube here. On archive.org.
April 4
REQUIRED VIEWING:
The Picture of Dorian Gray (dir. Albert Lewin, 1945)
RECOMMENDED READING:
How Cindy Sherman Brought Hollywood Lore to the Swiss Institute
April 7
REQUIRED VIEWING:
Laura (dir. Otto Preminger, 1944)
Laura (Masters of Cinema) New & Exclusive HD Trailer
April 9
REQUIRED VIEWING:
Laura (dir. Otto Preminger, 1944)
April 11
REQUIRED VIEWING:
Portrait of Jennie (dir. William Dieterle, 1948)
April 14
REQUIRED VIEWING:
The Lost Leonardo (dir. Antoine Vitkine, 2021)
Recommended Reading:
The Lost Leonardo - Official UK Trailer
The Lost Caravaggio: the Ecce Homo Unveiled Museo Nacional del Prado, Madrid
April 16
REQUIRED VIEWING:
The Lost Leonardo (dir. Antoine Vitkine, 2021)
But is it art?
April 18 Music and Art
In CLASS VIEWING:
Opening and End Title Sequences in Lust for Life (dir. Vincente Minelli, 1956) and Andrei Rublev (dir. Andrei Tarkovsky, 1966) (Recall the ending of The Picture of Dorian Gray and Portrait of Jennie, the green lightning and the techincolor portraits)
Lust For Life Van Gogh 1956 Film Trailer / Lust-Life-Kirk-Douglas/
April 22
REQUIRED VIEWING:
Hollywood Scores & Soundtracks: What Do They Sound Like? Do They Sound Like Things?? Let's Find Out!
April 24 The Fake, The Ghost, the Medium: Welles and Vertigo
NOTHING BELOW IS REQUIRED FOR THIS CLASS:
Solaris (A. Tarkovski), Brueghel, Bach, Weightlessness, Scene (1972)
24 FRAMES Abbas Kiarostami (1 Frame)
All the pictures in Lars von Trier’s Melancholia
A Woman Who Belongs To No One - "Little Sleep" | Hitchcock Presents Post-post-production (extraits)The Uninvited (dir. Lewis Allen, 1944)
In Bruges (dir. Martin Mcdonagh, 2008)
https://www.sartle.com/blog/post/the-hidden-meaning-of-art-in-in-bruges
The Two Mrs. Carrolls (dir. Peter Godfrey, 1947)
Original Theatrical Trailer | The Two Mrs. Carrolls | Warner Archive
THE OTHERS (dir. Alejandro Amenábar, 2001, Trailer)- Newly restored in chilling 4K - Starring Nicole Kidman
Pandora and the Flying Dutchman
The Secret of the Whistler 1946 Film
The Mystery of Picasso (dir. Henri-Georges Cluzot, 1956) Criterion Channel stop motion animation of the paintings being painted
Color Grading:
Understanding the Cinematography of Bruno Delbonnel
Ghosts as Fakes:
Liz Pelly, The Ghosts in the Machine Spotify’s plot against musicians (Harper's, 2024)
Every Fake Movie Trailer In Grindhouse
Tropic Thunder (2008) Opening trailers
Fake films in Film:
Fake film "Nation's Pride" in Inglourious Basterds (dir. Quentin Tarantino, 2009)
The Big Picture on the Mini-Movie in ‘Sinister 2’ and Others By Nicolas Rapold Aug. 19, 2015
BigPictureMini-MovieOthers.pdf
Sinister Official Trailer #1 (2012)
Sinister "Lawnmower" Clip + Trailer (2012)
Sinister 2 Official Trailer #1 (2015)
Made You Look: A True Story About Fake Art (dir. Barry Avrich, 2021 Netflix)
"Satires, Hoaxes, and Art Forgery"
BY MARTHA SHERWOOD | TUE, DEC 4, 2018
https://issuu.com/merpaperkunsthalle/docs/i
Michael (dir. Carl Dreyer, 1924)
Carl Th. Dreyer's MICHAEL (Masters of Cinema) New & Exclusive Trailer
L'Argent (dir. Robert Bresson, 1983)
Email your papers in a one word document to me at [email protected]. Send the word doc as an attachment. Do not send google docs or pdfs. I recommend you have the text or film open as you write your discussion questions.
Candyman (2021) ; and Lotte Rottinger—silhouette puppet cut-outs animation
Candyman (2021) - Opening Titles
All the Vermeers in New York – trailer
Errol Morris "Vermeer Forgery" NY Times (article), on "Vermeer Forgery" NY Times (Images); (CLICK BOTH MORRIS LINKS, article and images);
Optional Reading: DAN BILEFSKY, "After 400 Years, Still Hot on the Trail," NY Times, November 19, 2010 (on the exhumation of 16th-century Danish astronomer Tycho Brahe's remains to determine the cause of his death); Peter Landesmann, "A Crisis of Fakes," New York Times, March 18, 2001, 36-41; 52; 55; 66; 78; Anne Eisenberg, Holograms as motion pictures, "New York Times, December 4, 2010; Mark Segoff, "Restoring and Reproducing Art"; Dutch Still Lives (17th Ct.) with x-rays of layers of paint; Still Lives with online annotation popups;
All the Vermeers in New York – trailer
Sheridan Lefanu, (online here) "Schalcken the Painter"
A fictional tale woven round the lives of actual historic figures,[1][3] the television film is a 70-minute-long adaptation of Le Fanu's 1839 gothic tale "Strange Event in the Life of Schalken [sic] the Painter", directed and adapted by Leslie Megahey.[4] When Megahey was offered the opportunity to oversee Omnibus, the BBC’s long-running arts documentary series, he accepted on condition that he could make Schalcken the Painter. He shot the film in the style of a docudrama, using a minimum of dialogue. Megahey has stated that he was influenced in the making of the film by the Polish director Walerian Borowczyk, whose 1971 film Blanche also shows the fate of a young woman being decided by rich men, without consideration of her feelings or opinions.[2]
Leslie Megahey’s Schalcken the Painter is a celebration of the art of the Dutch Golden Age and a condemnation of the era’s bourgeois materialism and dehumanisation of women as chattels for trade. It’s also one of the eeriest ghost stories ever filmed.
Megahey adapted the film, a visual tour de force with scant dialogue, from Sheridan Le Fanu’s 1839 ‘Strange Event in the Life of Schalcken the Painter’, a short story in which the real-life genre painter and portraitist Godfried Schalcken (1647-1706), a student of Gerrit Dou (1613-75), receives a visitation from the spectre of the woman he once loved but forsook.https://www.bfi.org.uk/features/why-i-love-schalcken-painter
Schalcken the Painter may have influenced Peter Greenaway’s deconstruction of Rembrandt’s ‘The Night Watch’ in Nightwatching (2007); there are trace elements of the film in Greenaway’s The Draughtsman’s Contract (1982) too.D.A. Greetham, "Textual Forensics";
Sir Arthur Conan Doyle, "A Case of Identity" (1899) and "The Adventure of the Cardboard Box" (1893);
Sigmund Freud, "The Moses of Michelangelo" (1914) Standard Edition, 13: 209-238. Digital "Exploded Manuscript" of Freud's essay.
DAVID GRANN, "The Mark of a Masterpiece: The man who keeps finding famous fingerprints on uncelebrated works of art" New YorkerJuly 12, 2010
Painter charged with making fake Jackson Pollock paintings (July 2014)
Martin BaileyOctober 11, 2022
Are You There?
The occult artist / medium Hilma af Klimt / book in print versus the academy ratio fake film about Victor Hugo's seances seen on a different size screens including iPhone, iPad, and TV in a number of different locations (bar, train, house). Fake documentary as an allegory of what can't be seen on film, of the film's own (fake) special effects and possible viewing experiences?
Morse code and the sound of the dead knocking once for "yes," twice for "no" in the fake film "documentary" and the film
Hilma af Klint: A Pioneer of Abstraction (2013), edited by Jo Widoff and Iris Müller-Westermann exhibition catalogue https://www.modernamuseet.se/stockholm/en/exhibitions/hilma-af-klint-2013/
The Klimt book in the upper left corner of the frame.
Questions of scale: exhibited paintings versus their portable reproductions; theater screen versus smaller screens on portable devices.
Personal Shopper as Artist
Boyfriend on Skype
Restoring The Faceless Painting Part 1
Restoring The Faceless Painting Part 2
Restoring The Faceless Painting - Part 3
The Well painting restoration (dir. Lauren LaVera Sitges, 2024) Official Trailer Horror
A 1997 collaboration at the MIT List Visual Arts Center between Gilje and Jospeh Grigely, word artist, that involved a “newly discovered” version of Caravaggio’s Musicians. In the catalogue essay, Grigely-as-art-historian convincingly supports the existence of another, quite different image beneath the surface of the painting, one that is disclosed in Gilje’s x-ray. In the subsurface image, a mirror reveals that the foreground boy is not singing but masturbating. “Instead of grasping a love madrigal: his erect penis,” declares the scholarly text. Combining art-historical fact and a deconstructive fiction, the collaboration works its magic.
Dressed to Kill
The Trouble with Harry;
PANDORA AND THE FLYING DUTCHMAN
Obsession
Are you in pictures??
BARTON FINK
Don’t Look Now
J’accuse. Nightwatching RembrandtErroll Morris on Vermeer Forger
The Train
French film about woman reporter librarian archivist. Detective. Who. Gets fired from her job.
Real American archive of Nazi paintings and Indiana Jones
the Floss
Catwoman
“Story some kind of lie”
For for Fake
“Coming Soon”
Real painting versus made up painting
The Bitter Tears of Petra von Kant
La Belle Noiseuse
The Green Knight
https://www.criterion.com/films/30469-portrait-of-a-lady-on-fire
https://www.youtube.com/watch?v=7vfqkvwW2fs&t=611s
AI FORGERY COPYING PLAGIARISM
Pierre Menard
Bartleby
Kenny Goldsmith
Internationally revered Iranian filmmaker Abbas Kiarostami has created some of the most inventive and transcendent cinema of the past thirty years, and Close-up is his most radical, brilliant work. This fiction-documentary hybrid uses a sensational real-life event—the arrest of a young man on charges that he fraudulently impersonated the well-known filmmaker Mohsen Makhmalbaf—as the basis for a stunning, multilayered investigation into movies, identity, artistic creation, and existence, in which the real people from the case play themselves. With its universal themes and fascinating narrative knots, Close-up has resonated with viewers around the world.
https://richardburtphd.com/indexanamorph.html
Jorge Luis Borges, "Funes el memorioso." English trans.
VAN GOGH Repetitions Exhibition
Van Gogh Repetitions, ed. Eliza Rathbone, William H. Robinson, Steele Elizabeth and Marcia Steele
Titian Remade: Repetition and the Transformation of Early Modern Italian Art
Required Reading:
Sheridan Lefanu, (online here) "Schalaken the Painter"
Required Viewing:
Schalacken the Painter BFI (dir. Leslie Megahey, 1979)
BBC M R James Ghost Story Number 13
Close Readings Plus course.
Recommended Reading and Viewing:
Restoration of the painting "Lute-Player" by Caravaggio
Michelangelo Merisi da Caravaggio. The Lute-Player. Marking the end of the restoration
On 10 December 2017, the exhibition Michelangelo Merisi da Caravaggio. The Lute-Player. In Russian On YouTube
‘The Inventor’ Review: Leonardo da Vinci in the Limelight
This playful movie uses stop-motion and hand-drawn animation to pay homage to Leonardo as a thinker and tinkerer.
Morelli on art collecting; David Grann, "The Mark of a Masterpiece: The man who keeps finding famous fingerprints on uncelebrated works of art"; Painter charged with making fake Jackson Pollock paintings (July 2014); Mark Segoff, "Restoring and Reproducing Art"; Dutch Still Lives (17th Ct.) with x-rays of layers of paint; Still Lives with online annotation popups
https://richardburtphd.com/indexanamorph.html
Email all papers for the course to me at [email protected].
Post Your DQs etc BOTH on canvas AND on this google document here.
The views expressed by Richard Burt in interviews and commentaries on the
The Picture of Dorian Gray (1945)
"I’m possibly cheating to include this film on the list, but The Picture of Dorian Gray is one of the first to showcase black-and-white as an aesthetic choice rather than a filmmaking necessity; four-color inserts of three-strip Technicolor were used for Dorian’s portrait, utilized as a special effect in a black-and-white world. Having that isolated moment of Technicolor heightens the horror of seeing Dorian’s painting age while he himself remains youthful. The film is a triumph in deep-focus cinematography, and earned Angela Lansbury her second Academy Award nomination for Best Supporting Actress (not to mention her first Golden Globe win in the same category)."
https://www.nationalgalleries.org/art-and-artists/features/art-through-eyes-horror-film-fan
https://www.tate.org.uk/whats-on/tate-britain/gothic-nightmares-fuseli-blake-and-romantic-imagination
Issued August 2017
30 October 2017 – 18 February 2018
Sainsbury Wing
Admission charge
See differently.
At the National Gallery this autumn, journey through a world of shadow and light. With more than fifty painted objects created over 700 years, Monochrome: Painting in Black and White is a radical new look at what happens when artists cast aside the colour spectrum and focus on the visual power of black, white, and everything in between.
https://www.nationalgallery.org.uk/about-us/press-and-media/press-releases/monochrome-painting-in-black-and-white
Hannah Arendt, "TRUTH AND POLITICS"
Originally published in The New Yorker, February 25, 1967
Hannah Arendt, "Lying in Politics: Reflections on The Pentagon Papers"
NOVEMBER 18, 1971 ISSUE
Alexander Koyré, “The Political Function of the Modern Lie” (Contemporary Jewish Record). 1945.
ANEMONA HART OCOLLIS, "Colleges Spending Millions to Deal With Sexual Misconduct Complaint" MARCH 29, 2016
An open letter written in March by Jenny Martinez, dean of Stanford University Law School, in which she affirmed her decision to apologize to Stuart Kyle Duncan, a Donald Trump-appointed federal appeals judge, after hecklers interrupted his speech.
Jeannie Suk Gersen, "What if Trigger Warnings Don’t Work?" September 28, 2021
MSNBC host against free speech ("subjected to") Jimmy Dore Show May 16, 2023
"The splat is out of the bag: a first-ever look at the making of the Rorschach test" May 17, 2023
W. H. Davenport, Wrecked Lives ; Or, Men who Have Failed (1880)
William Wordsworth, "Yew-Trees"
There is a Yew-tree, pride of Lorton Vale,
Which to this day stands single, in the midst
Of its own darkness, as it stood of yore:
Not loathe to furnish weapons for the Bands
Of Umfraville or Percy ere they marched
To Scotland's heaths; or those that crossed the sea
And drew their sounding bows at Azincour,
Perhaps at earlier Crecy, or Poictiers.
Of vast circumference and gloom profound
This solitary Tree! -a living thing
Produced too slowly ever to decay;
Of form and aspect too magnificent
To be destroyed. But worthier still of note
Are those fraternal Four of Borrowdale,
Joined in one solemn and capacious grove;
Huge trunks! -and each particular trunk a growth
Of intertwisted fibres serpentine
Up-coiling, and inveteratley convolved, -
Nor uninformed with Fantasy, and looks
That threaten the profane; -a pillared shade,
Upon whose grassless floor of red-brown hue,
By sheddings from the pining umbrage tinged
Perennially -beneath whose sable roof
Of boughs, as if for festal purpose decked
With unrejoicing berries -ghostly Shapes
May meet at noontide: Fear and trembling Hope,
Silence and Foresight, Death the Skeleton
And Time the Shadow; there to celebrate,
As in a natural temple scattered o'er
With altars undisturbed of mossy stone,
United worship; or in mute repose
To lie, and listen to the mountain flood
Murmuring from Glaramara's inmost caves.
World War III #1: 1952 War Comic
Atomic War Issue #1 (Ace Comics) 1952
UNE VIE, UNE ŒUVRE (FRANCE CULTURE)
Blow Up, l'actualité du cinéma (ou presque) - ARTE
Ingmar Bergman en musiques - Blow Up - ARTE
The Holberg Lecture 2016: Stephen Greenblatt: "Shakespeare's Life-making"
How They RIGGED It All: A Corporate Law Professor Explains (w/ Jon Hanson) 2023
Jeffery Sachs | We WILL NEVER KNOW PEACE AGAIN (2023)
Popular Instagram A I Fraud (2023)
"This Film Does Not Exist" NY TIMES JANUARY 13, 2023 On Jodorowski's plans for Tron and A.I. imaging of film.
Russell Jacoby "A Climate of Fear The free speech skeptics abandon Salman Rushdie" Harper's (March, 2023)
“She Showed a Prophet’s Image, and Divided a College Campus” (front page, Jan. 8, 2023) And she got fired.
Why you should absolutely be for free speech. Srsly.
'Mighty Ira' Documentary Trailer
Ira Glasser, Free Speech and the ACLU
Jonathan Rauch, "Words Aren't Violence" NYT 1993
UF Protest Sign:
Peter Hall - Pauses are as important as the lines (28/40)
Vienna and Schubert: 'Death and the Maiden' String Quartet - Professor Chris Hogwood CBE
"The greatest pieces of music are called classics simply because at a first hearing--that is terribly...very complicated to work out what's going on or even more complicated to explain to yourself why it's going on--even to hear it has to be heard several times. Probably after first hearing, immediately go back and hear it again, and on repeated hearings repeated things come to light."
--Christopher Hogwood
Repetition is key to learning.
To learn how to understand a piece of music, a philosopher said, you have to hear it twice.
A conductor of baroque music said you have to listen to repeated hearings before you understand it.
"How full of meaning and significance the language of music is we see from the repetition of signs, as well as from the Da capo which would be intolerable in the case of works composed in the language of words. In music, however, they are very appropriate and beneficial; for to comprehend it fully, we must hear it twice."
--Arthur Schopenhauer, "On the Metaphysics of Music"
https://www.youtube.com/watch?v=mTziL0Xwa-s timestamp 29:00 |
Remember. Don't make a faux pas.
All recommended readings are optional.
"We can’t imagine what’s next, except that it will surely involve more make-work for more administrators, whose proliferation has driven much of the rise in college tuition and student debt. For 16,937 students, Stanford lists 2,288 faculty and 15,750 administrative staff."
--"The Stanford Guide to Acceptable Words
Behold the school’s Elimination of Harmful Language Initiative."
By The Editorial Board
Dec. 19, 2022
THE PERSON VS. THE ARTIST
Jordan Wolfson / JORDAN WOLFSON / Artist Talk: Jordan Wolfson & Simon Denny
Telephone #1: Phoned-In #13 by Paul Legault & Sharmila Cohen
Storyville - The Trials Of Oppenheimer - BBC Documentary
'Mighty Ira' Documentary Trailer
Ira Glasser, Free Speech and the ACLU
Jonathan Rauch, "Words Aren't Violence" NYT 1993
Guy J. Williams, "Harkness Learning: Principles of a Radical American Pedagogy"
Apps and Oranges: Behind Apple’s ‘Bullying’ on Trademarks
The Cubies’ ABC (1913)
"Don't join the book burners. Don't think you are going to conceal faults by concealing evidence that they ever existed. Don't be afraid to go in your library and read every book, as long as that document does not offend our own ideas of decency. That should be the only censorship.
How will we defeat communism unless we know what it is, and what it teaches, and why does it have such an appeal for men, why are so many people swearing allegiance to it? It is almost a religion, albeit one of the nether regions.
And we have got to fight it with something better, not try to conceal the thinking of our own people. They are part of America. And even if they think ideas that are contrary to ours, their right to say them, their right to record them, and their right to have them at places where they are accessible to others is unquestioned, or it isn't America."
Dwight D. Eisenhower, 34th President of the United States: 1953 - 1961 "Remarks at the Dartmouth College Commencement Exercises, Hanover, New Hampshire." June 14, 1953
"I am sorry for the boy or girl, or man or woman, who has never been touched by the spell of this mysterious sensorial life, with its irrationality, if so you like to call it, but its vigilance and its supreme felicity. The holidays of life are its most vitally significant portions, because they are, or at least should be, covered with just this kind of magically irresponsible spell.
And now what is the result of all these considerations and quotations? It is negative in one sense, but positive in another. It absolutely forbids us to be forward in pronouncing on the meaninglessness of forms of existence other than our own; and it commands us to tolerate, respect, and indulge those whom we see harmlessly interested and happy in their own ways, however unintelligible these may be to us. Hands off: neither the whole of truth nor the whole of good is revealed to any single observer, although each observer gains a partial superiority of insight from the peculiar position in which he stands. Even prisons and sick-rooms have their special revelations. It is enough to ask of each of us that he should be faithful to his own opportunities and make the most of his own blessings, without presuming to regulate the rest of the vast field."
On a Certain Blindness in Human Beings
--William James
Gould Gould: Mozart in one minute
--V. F. Perkins
"One should never bear grudges against people, never judge them by the memory of one unkind act, for we can never know all the good resolves and effective actions of which their souls may have been capable at another time. And so, even from the simple point of view of foresight, we make mistakes. For no doubt the bad pattern we observed on that one occasion will recur. But the soul is richer than that, has many other patterns which will also recur in the same man, yet we refuse to take pleasure in them because of one piece of bad behavior in the past."
The Prisoner, trans. Carol Cook, p. 311
Nothing Below is Required for this Course. You Are Free to Stop Reading Here and Now:
Inside the Academic-Freedom Crisis That Roiled Florida’s Flagship
Nothing Below is Required for this Course. You Are Free to Stop Reading Here and Now:
La leçon de Marcel Proust selon Roland Barthes
Retrouvez bien d'autres archives sur Marcel Proust ici : http://bit.ly/2EeojUr
The Kuleshov Effect / Effetto Kuleshov
Gov. DeSantis wants retired cops as teachers
Judge Issues Stinging Free Speech Ruling Against University of Florida The New York Times January 21, 2022
Judge Walker's Motion for Preliminary Injunction Ruling 01212022
If to read a book as it should be read calls for the rarest qualities of imagination, insight, and judgment, you may perhaps conclude that literature is a very complex art and that it is unlikely that we shall be able, even after a lifetime of reading, to make any valuable contribution to its criticism. We must remain readers.
Virginia Woolf, “How Should One Read a Book?” 1926 (read for pleasure and for profit)
How the HR Monster Destroyed the Workplace: The Woke Mission Creep of Human Resources Departments
Rescuing the Left From Its Obsession With Culture — Vivek Chibber
Chris Hedges on Cancel Culture, Empathy And Grace
Peter Hall - Pauses are as important as the lines (28/40)
The Bellows in Conversation with Adolph Reed and Walter Benn Michaels
Politics After Trump: A Conversation with Chris Hedges
Slavoj Zizek — Why white liberals like to humiliate themselves
Slavoj Zizek — Why white liberals love identity politics
Louis Menand, "What’s So Great About Great-Books Courses? The humanities are in danger, but humanists can’t agree on how—or why—they should be saved." New YorkerDecember 13, 2021
Critical judgment
suspension of moral judgment
John Keats, "negative capability"
Sigmund Freud,The Psychopathology of Everyday Life, Chapter Nine, "Symptomatic and Chance Actions" and Chapter Ten, "Errors."
Required Reading: Sigmund Freud, Beyond the Pleasure Principle, Sections 1-IV (1 though IV, including IV). Bring a copy of the book in print or a print out on paper to class (Kindles, iphones, lap top computers, etc., will not be allowed.
Required Reading: Edgar Allen Poe, "The Purloined Letter"
Required Reading: Sigmund Freud, Beyond the Pleasure Principle, Sections V-VI (the rest of the book). Bring a copy of the book in print or a print out on paper to class (Kindles, iphones, lap top computers, etc will not be allowed). Recommended: Sigmund Freud, "A Note upon the Mystic Writing Pad"
Required Reading: Jacques Derrida, "To Speculate--On 'Freud'" in The Post Card, 257-291 ("1. Notices (Warnings"). Bring a copy of the book in print or a print out a copy on paper and bring it with you to class (Kindles, iphones, lap top computers, etc., will not be allowed).
Recommended: Jacques Derrida, "Differance"; Jacques Derrida, "The Parergon"
Required Reading: Jacques Lacan, "Seminar on the Purloined Letter" (click on link to left for pdf)
Recommended Readings: (T.B.R.S.,P.) Wilhelm Jentsch, "The Uncanny" ; E.T.A. Hoffmann, The Sandman; Ernst Mach, Analyse der Empfindungen (The Analysis of Sensationsand the Relation of the Physical to the Psychical), cited
The author and the work of art--Cancellation; Ad Hominem
Self-cancellation:
Gerard Manley Hopkins burned his poems when he entered a seminary. See William Empson, Seven Types of Ambiguity
Vladimir Nabokov, Lectures on Literature--no relation between an author and text (Yet . . . )
Erich Auerbach, Mimesis--an author is always in history
Martin Heidegger on the German poet Georg Trakl in On the Way to Language and Poetry, Language, Thought--ignore the author.
"No matter how scandalous and unsavory the Derrida-Heidegger-Trakl encounter may seem, therefore, it may well be that the encounter has - as Merleau-Ponty said of the artwork - most of its life still ahead of it.
Certainly, there seems to be no great interest in the Anglo-American world in either Heidegger's Trakl interpretation or Derrida' s reading of it.
While many philosophers continue to brave Heidegger's Hölderlin interpretations, very few take the risk of engaging with Trakl. Why? I am not sure. Perhaps because of the unsavory atmosphere that suffuses the Trakl world: cocaine, incest, war, suicide - conservative Heideggerians have to wonder why Heidegger was drawn to any of this, and why Derrida would want to make Heidegger's reading of Trakl one of the principal foyers of his reading of Heidegger.
It may be that the new waves of scandal lapping against the shores of Heidegger's life make it less likely than ever that students will want to take up Heidegger's and Derrida's readings of Trakl, especially in the United States, where Puritanism continues to reign in the academy, in our political life, and in our military detention."
--David Farrell Krell, "Marginalia to "Geschlecht III": Derrida on Heidegger on Trakl"
The New Centennial Review, Fall 2007, Vol. 7, No. 2, Remainders: Of Jacques Derrida (Fall 2007), pp. 175-199
To counter widely circulated allegations, let it be stated here explicitly that the dedication of Being and Time mentioned on page 16 of the Dialogue remained in Being and Time until its fourth edition of 1935. In 1941, when my publishers felt that the fifth edition might be endangered and that, indeed, the book might be suppressed, it was finally agreed, on the suggestion and at the desire of Niemeyer, that the dedication be omitted from the edition, on the condition imposed by me that the note to page 38 be retained— a note which in fact states the reason for that dedication, and which runs: "If the following investigation has taken any steps forward in disclosing the 'things themselves', the author must first of all thank E. Husserl, who, by providing his own incisive personal guidance and by freely turning over his unpublished investigations, familiarized the author with the most diverse areas of phenomenological research during his student years in Freiburg" (Being and Time, Harper & Row, 1962, 489).
--On the Way to Language, pp. 199-200
Textual unconscious
irony
incomprehension
Booth on unmade puns
Fireworks are apparitions par excellence. They are an empirical appearance free of the burden of empirical being in general which is that it has duration; they are a sign of heaven and yet artefactual; they are both a writing on the wall, rising and fading away in short order, and yet not a writing that has any meaning we can make sense of.
--Theodor Adorno, Aesthetic Theory, 120
'All-American Nativism' with Dan Denvir, Part I
Tulsi Gabbard Introduces Bill To Completely Repeal The Patriot Act.“A good reader, a major reader, an active and creative reader is a rereader.”
--Vladimir Nabokov
Cultural Stagnation
Kenneth Goldsmith, It’s Not Plagiarism. In the Digital Age, It’s ‘Repurposing.’SEPTEMBER 11, 2011
Mark Fisher : The Slow Cancellation Of The Future (2014)
2014 CineNOma?
Small adjustments to the same versus something different, new, or renewed
Can you hear it? An ear for music history and the end of medium specificity
Sampling 80s synth pop this century
Modern Fears (Pilotpriest Come True Version) (Original Motion Picture Sound) 2021
sounds like
the CHROMATICS PLAYING "SATURDAY" at the end of an episode of David Lynch's Twin Peaks, the Return (2018).
See also the
CHROMATICS' "SHADOW" (Official Video)
80s synth pop
Angelo Badalamenti and David Lynch and "Laura's Theme" in "Twin Peaks"
Pet Shop Boys
Orchestral Maneuvers in the Dark
Drive (dir. Nicolas Winding Refn, 2011) —with 80s Miami Vice pink opening titles
Chromatics - Tick Of The Clock
1980s --"postmodernism" stockpiling of images; last decade of high fashion. "Pastiche" versus "parody" Frederic Jameson
haute couture
recycling Art Decco by Madonna (Vogue, Horst P. Horst / Horst corset
Metropolis (1927) - (1984) Giorgio Moroder
30's fashions Bryan Ferry (Slave to Love).
Periodization of fashion history
Roxy Music - Avalon (Official Video)
The Gong Show (1978)
Survival Kit For the Anguished: A series of podcasts by Avital Ronell
One of the most important books on a chapter of American History you never ever knew about:
Eric Foner Reconstruction-Americas-Unfinished-Revolution
Guy J. Williams, "Harkness Learning: Principles of a Radical American Pedagogy"
Barbara Johnson, "The Frame of Reference: Poe, Lacan, Derrida," Yale French Studies, 1977, No. 55/56, Literature and Psychoanalysis. The Question of Reading: Otherwise (1977), pp. 457-505
Various first words
Who is supposed to find this video funny? JOE BIDEN: ACCEPTABLE UNDER THE CIRCUMSTANCES Steve Buscemi narrates this short film 8/20/2020
"Don't Be a Sucker" (1943 / 1947)
Shant Mesrobian gives an illuminating account of the authoritarian Biden voter's contempt for progressives starting at 54:02 and ending at 56:32. The entire interview is worth a listen.
Holbein's extraordinary 'Ambassadors' | National Gallery
DARK WATERS | Official Trailer
All the President's Men - Original Theatrical Trailer
The Candidate - Original Theatrical Trailer
Medium Cool (1969) ORIGINAL TRAILER
The Mothman Prophecies - Trailer.
Secrecy and the Press. Remarks by. Katharine Graham. Megan Zahneis, This Tenured Professor Said His College’s Reopening Plans Risked Deaths. That’s Now in His Personnel File.SEPTEMBER 10, 2020
Shockproof (dir. Douglas Sirk,1949) Opening Sequence and the reveal; see also the reveal at the end of the first five minutes of Hitchcock's Marnie
The Bellows in Conversation with Adolph Reed and Walter Benn Michaels
Exercise and Depression "When you exercise, your body releases chemicals called endorphins. These endorphins interact with the receptors in your brain that reduce your perception of pain."
Edward Snowden: How Your Cell Phone Spies on You
2012: When I Knew My Job Was Over (Time Stamp 1:50)
'All-American Nativism' with Dan Denvir, Part I
"We had expected the great world-dominating nations of white race upon whom the leadership of the human species has fallen, who were known to have world-wide interests as their concern, to whose creative powers were due not only our technical advances towards the control of nature but the artistic and scientific standards of civilization - we had expected these people to succeed in discovering another way of settling misunderstandings and conflicts of interest. Within each of these nations there prevailed high norms of moral conduct for the individual, to which his manner of life was bound to conform if he desired to take part in a civilized community. . . .
A human being is seldom altogether good or bad; he is usually 'good' in one relation and 'bad' in another, or 'good' in certain external circumstances and in others decidedly 'bad'. It is interesting to find that the pre-existence of strong 'bad' impulses in infancy is often the actual condition for an unmistakable inclination towards 'good' in the adult. Those who as children have been the most pronounced egoists may well become the most helpful and self-sacrificing members of the community; most of our sentimentalists, friends of humanity and protectors of animals have been evolved from little sadists and animal-tormentors.
Sigmund Freud "Thoughts for the Times on War and Death" (1915)
Now that the TV show COPS has been cancelled, it should be replaced by a show called STOPPED. Each episode of STOPPED would show iphone videos of black people who have been murdered by police or who have talked their way out of an illegal stop with guns drawn by cops. Payment for videos that haven't gone viral but can be posted after the show airs. Copyright belongs to the original video recorder.
These Scholars Denounced the Police
Trump Tells Agencies To End Trainings On 'White Privilege ...
The 1619 Project - The New York Times
The Truth About the Confederacy in the United States (the 1619 part is wrong.)
I Helped Fact-Check the 1619 Project. The Times Ignored Me.
Scholars are eviscerating The New York Times' 1619 Project
Seven months later, 1619 Project leader admits she got it wrong
Conservatives rail against New York Times 1619 Project on ...
Trump warns schools teaching 1619 Project 'will not be funded'
So much for "representation":
Melania Trump touts husband's record on women
Jed Rubenfeld, "Mishandling Rape," Nov. 15, 2014
Yale Law Professor [Jed Rubenfeld] Is Suspended After Sexual Harassment Inquiry
The Never-ending Story of Men and Women Laura Kipnis 2016
from Thomas Mann, Doktor Faustus, trans. John Wood, p. 63
A Black Marxist Scholar Wanted to Talk About Race. It Ignited a Fury.
Algorithms rule us all - VPRO documentary - 2018
Cybertopia - Dreams of Silicon Valley - Docu - 2015
The financial brain of the London City - Docu - 2013
HyperNormalisation: A new film by Adam Curtis
--Martin Heidegger, "The Thing"
"Happiness has no story."
--Jules Barbey d'Aurevilly
Why Should You Be for Free Speech?
Mighty Ira: Ira Glasser, Free Speech and the ACLU Tmestamp31:00 on
Mighty Ira Documentary Trailer
Essential Viewing: Russell Brand On Trump and Free Speech
If you’re mildly conservative on Twitter, you’re Hitler | Ricky Gervais
Wall Street is diversity-inclusion-belonging
2020-12-16/fifty-years-of-tax-cuts-for-rich-didn-t-trickle-down-study-says
"Music is the space between the notes."
--Claude Debussy or Miles Davis
Guy J. Williams, "Harkness Learning: Principles of a Radical American Pedagogy"
The Second Civil War (dir. Joe Dante, 1997)
Conventions and Creativity
Montage
Mindhunter Season 1 (dir. David Fincher, 2017)
Shot Reverse Shot
Long take framed by standard shot reverse shot intro and exits:
Amazon Prime Patriot 1, Season 8 Episode
Synthesis and Sound Design
Mindhunter (2017; 2019)
Terrence Malick’s “Introduction” and “Critical Notes” for his translation of Heidegger’s The Essence Of Reasons
NOMAD: IN THE FOOTSTEPS OF BRUCE CHATWIN
A Conversation with Werner Herzog - Doc/Fest 2019
The Never-ending Story of Men and Women Laura Kipnis 2016
EXPOSED! Mainstream Media Caught Using Fake Sources
"Unity"
They Live (1988) - Seeing the Truth Scene
Shockproof (dir. Douglas Sirk,1949) Opening Sequence The Reveal
The Truth About the Confederacy in the United States (the 1619 part is wrong. The United States was founded in 1776.)
Koyaanisqatsi part 1/9You already know how: Mr Robot ending S4E10: 410
https://www.nytimes.com/2019/12/08/arts/television/mr-robot-episode-10-recap.html
Happy ending or sad ending: Dom and Darlene are going to go to
Budapest, then Dom changes her mind, then Darlene does not use her
ticket and does not board the plane. Cross cutting as Dom runs back to the boarding gate. Music Carly Rae Jepsen "Run Away
with Me" on E.Mo.Tion album Darlene is in the
bathroom having a panic attack. So you think it's going to be a happy
ending. But last shot reveals the empty seat next to Dom. Music
still playing.
So students. You already know how to read by genre. Happy ending--or
shock from happy ending withheld. Only upbeat is Darlene calming down
and saying to herself in the mirror "I can take care of myself."
http://watch-mr-robot-season-4-episode-10-tvshow.over-blog.com/hompilya6a
Climate Change: what do you want me to say?
Adam Ruins Everything - Why Billionaire Philanthropy is Not So Selfless | truTV
Sandy Hook Promise 'Back-to-School' PSA
Sandy Hook Promise: Gun violence warning signs
Wagner au cinéma - Blow Up - ARTE
Mozart au cinéma - Blow Up - ARTE
Beethoven au cinéma - Blow Up - ARTE
Bach au cinéma - Blow Up - ARTE
Schubert au cinéma - Blow Up - ARTE
Tchaïkovsky au cinéma - Blow Up - ARTE
It's so hard to be a billionaire.
https://www.ft.com/content/1e477dda-070e-11ea-9afa-d9e2401fa7ca
https://www.ft.com/content/0bab153a-026b-11ea-b7bc-f3fa4e77dd47
https://www.ft.com/content/1997bc42-0609-11ea-9afa-d9e2401fa7ca
https://www.ft.com/content/752ffc50-079d-11ea-a984-fbbacad9e7dd
Michael Kiwanuka - Cold Little Heart
Big Little Lies: Season 1 Opening Credits | HBO
Twitter Thread on U.S. Slavery
"First of all, they're all psychopaths."
Mindhunter Season 1, Episode 3 (2017)
Long take framed by standard shot reverse shot intro and exits:
Amazon Prime Patriot 1, Season 8 Episode
Please don't be hard on your grad student teachers:
Why adjunct professors are struggling to make ends meet
Btw, don't even think of going to graduate school to get a Ph.D in English--or any other kind of--literature.
Stephen Marche, a survivor of academia, returns to a troubled field
Dan Cohen, "The Books of College Libraries Are Turning Into Wallpaper: University libraries around the world are seeing precipitous declines in the use of the books on their shelves" The Atlantic May 2019
Rudy Giuliani Loves Fascism "God Bless America!"
ROBOCOP Original Trailer - 1987
Why did police have military-grade equipment in the first place?
365 Days and 605 Armored Military Vehicles Later: Police Militarization a Year After Ferguson
Military veterans see deeply flawed police response in Ferguson
Ferguson, Mo., police routinely violated blacks’ rights, federal inquiry finds
STANLEY FISH The Trouble With Tolerance NOVEMBER 10, 2006
Cardi B: I Became a Stripper to Escape Domestic Violence
William Wordsworth, THE PRELUDE
BOOK TWELFTH
IMAGINATION AND TASTE, HOW IMPAIRED AND RESTORED
There are in our existence spots of time,
That with distinct pre-eminence retain
A renovating virtue, whence--depressed 210
By false opinion and contentious thought,
Or aught of heavier or more deadly weight,
In trivial occupations, and the round
Of ordinary intercourse--our minds
Are nourished and invisibly repaired;
A virtue, by which pleasure is enhanced,
That penetrates, enables us to mount,
When high, more high, and lifts us up when fallen.
I remember well,
That once, while yet my inexperienced hand
Could scarcely hold a bridle, with proud hopes
I mounted, and we journeyed towards the hills:
An ancient servant of my father's house
Was with me, my encourager and guide: 230
We had not travelled long, ere some mischance
Disjoined me from my comrade; and, through fear
Dismounting, down the rough and stony moor
I led my horse, and, stumbling on, at length
Came to a bottom, where in former times
A murderer had been hung in iron chains.
The gibbet-mast had mouldered down, the bones
And iron case were gone; but on the turf,
Hard by, soon after that fell deed was wrought,
Some unknown hand had carved the murderer's name. 240
The monumental letters were inscribed
In times long past; but still, from year to year
By superstition of the neighbourhood,
The grass is cleared away, and to this hour
The characters are fresh and visible:
A casual glance had shown them, and I fled,
Faltering and faint, and ignorant of the road:
Then, reascending the bare common, saw
A naked pool that lay beneath the hills,
The beacon on the summit, and, more near, 250
A girl, who bore a pitcher on her head,
And seemed with difficult steps to force her way
Against the blowing wind.
Heirich von Kleist, "On the Gradual Production of Thoughts Whilst Speaking"
The current version of this website is the binding one, if you are taking this course.
STEAM, not STEM (The "A" stands for "Arts," as in Liberal Arts.)
If Students Are Smart, They’ll Major in What They Love
Free Movies Streaming Online at UF Kanopy
Missing UF Faculty (mostly from English)
Thinking of Going to Law School?
Claudio Arrau Beethoven Piano Sonata No. 32
Mitsuko Uchida Masterclass Comparing Beethoven N.4 in G Major and Mozart’s K. 503
Satie Vexations Complete non-stop performance ( 9.41 hours ) by Nicolas Horvath
Erik Satie - Tapisserie en fer forgé
What is a "strong woman?" Who is a "strong woman?" A corporate oligarch funded by Wall Street and former prosecutor? Or a combat veteran funded by individual donors?
Check these out:
Kamala Harris Was Not a ‘Progressive Prosecutor' Lara Bazelon, NY Times, January 17 2019
Former DNC vice chair: Democratic primary was 'rigged' for Clinton
Tulsi Gabbard Calls Assange’s Arrest A Blow To Transparency And Free Press
Morning Joe Attacks Tulsi For Opposing War (Time Stamp 3:30)
Tulsi Gabbard challenges Kamala Harris record as a prosecutor | full exchange
Harris dismisses Gabbard attack: I'm a top-tier candidate, she's at 0 or 1 percent
Watch Tulsi Gabbard's interview with Anderson Cooper
Tulsi Gabbard: Kamala Harris 'didn't give any answers'
Gabbard to MSNBC Host: These Are Talking Points Kamala Harris And Her Campaign Are Feeding You
Some "strong women" = mean girls? Tulsi Gabbard Takes On Kamala | The View
Tulsi Gabbard Says Kamala Harris' Jab Was 'Pathetic' and 'Cheap Smear' | TMZ
Mueller Testimony
https://www.youtube.com/watch?v=-EbrfiAxjY0
https://www.youtube.com/watch?v=Y6CYXdspaBY
https://www.youtube.com/watch?v=OfFtq8C_1_4
LP - Lost On You [Official Video]
my-ears-could-hear-the-war-but-the-censors-wouldnt-let-me-read-it/
LP - Lost On You [Official Video]
Judith Herman, Healing the Incest Wound
Rene Descartes, Part Three of Discourse on the Method
Student Co-Leaders:
When you prepare to co-lead, send the final draft of your notes to me via google docs at least twenty-hours before class begins.
Hamlet, In Our Time Melvyn Bragg and guests discuss the inspiration for Shakespeare's Hamlet, the play's context and meaning, and why it has fascinated audiences from its first performance.
The Best Years Of Our Lives 1946 music and image
Philip Roth, "Writing About Jews" (DEC, 1963)
TIMOTHY SNYDER, It Can Happen Here
"The U.S. Holocaust Memorial Museum’s decision to speak out against Holocaust analogies is a moral threat" JULY 12, 2019
U.S. Banks Are Terrified of Chinese Payment Apps
To understand how I have designed and planned this course, please be sure to look at
PK Feyerabend, Against Method: Outline of an Anarchistic Theory of Knowledge (1975)
Hans-Jörg Rheinberger, "Scrips and Scribbles," MLN, Vol. 118, No. 3, German Issue (Apr., 2003), pp. 622-636.
John Law, After Method: Mess in Social Science Research Routledge, 2004
Consider everything I say as parts of the contents of a time capsule from long ago that has yet to be opened, much kess indexed and archived.
Katha Pollitt, "Roe Isn’t Going Down Without a Fight," May 2019
Commencement Speeches From Out Of Touch Celebrities 2019
Dr Van der Kolk, The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma
Judith Herman, Trauma and Recovery: The Aftermath of Violence--from Domestic Abuse to Political Terror
Academic Time circa 2000: Dr. Judith Lewis Herman, Professor of Clinical Psychiatry at Harvard ... joins UC Berkeley's Harry Kreisler
Not a very good take:
The Americanization of Popular Culture Should Terrify Us All
A very good take:
Why Netflix and Amazon Algorithms Are Destroying the Movies
Gadaj?ce g?owy/Talking Heads (1980)
SENIORS FOR STUDENTS, Richard Burt, President
Nietzsche, Friedrich. 1872 Anti-Education Harper's Magazine
Alexandre Kojeve, "Chapter 2 Summary of the First Six Chapters of the Phenomenology of Spirit" in Introduction to the Reading of Hegel
At Berkeley (dir. Frederick Wiseman, 2013)
Philosopher Ray Monk: why I went vegan
‘If we cut out meat and dairy, we would all live longer, healthier, happier lives’
Jeff Bezos’s “Montessori, Inc.” Sets Up the Ed-Tech Takeover of Pre-K
This Is What It’s Like to Be a Teacher in America (2018)
5 Minutes That Will Make You Love Classical Music
"Teach us to care and not to care"
Larry David Curb Your Enthusiasm (2017) | HBO
“Won’t You Be My Neighbor” (2018)
Look for the Helpers. --Fred Rogers
Songs which begin before they begin
The snare drum. The Letter Boxtops
John McGlaughlin in Bitches Brew
The Who - The Kids Are Alright
Former CIA Director Admits to US Foreign Meddling, Laughs About It (2018)
ANTICIPATORY LEARNING
Hillary Clinton Says the ‘Future is Female’
vs.
Sorry to Bother You (dir. Boots Riley, 2018)
"The Future is Female Ejaculation" (It is against the law in Australia.)
This segment below is really worth watching in its entirety: One brave anti-war candidate gets through the gauntlet of four furious, total establishment enemy combatants. Gabbard is incredibly poised and strong, calling out the smearing of her and other leftists as it happens in real time, face to face. Bizarrely, it now appears that a woman from the military who actully thinks rationally about foreign interventions and regime changes would make a better than the militarized chickenhawk civilians now running the country.
US Rep. Tulsi Gabbard on MSNBC's Morning Joe -- Feb. 6, 2019
New Episode - Episode 4: New York - Tulsi TV On the Road
Theodor Adorno, " Behind the Mirror" in Minima Moralia: Reflections on a Damaged Life
REQUIRED VIEWING
REQUIRED VIEWING:
January 22
When Citizen Kane met Bambi : The Lost Paintings of Tyrus Wong [CONTAINS SPOILERS]
January 24
First segment of Three Murders
Recommended
January 27
Citizn Kane
January 29
Citizne Kane (the mirror scene); reepated in lady from shanghai and the Immortal Story
Read:
New Yorker war of the worlds; Citizen Kane
January 31
To sign up to co-lead class, go to this google doc. Do not co-lead with the same person twice and co-lead at least four weeks after the first time you co-lead.
Once you have a partner to co-lead class discussion, create a google doc for your notes and share it with me by 5:00 p.m. the day before you are co-leading so I can add my thoughts. Make sure you allow me to edit the document.
February 3
WAR of the worlds broadcast, lies, jokes and pranks
REQUIRED READINGS:
ARENDT
REQUIRED VIEWING:
Derrida
February 5
REQUIRED
Documentary One Man Band
Stories jokes laws proof testimony
February 7
DUE by noon Friday February 11: write me an email at [email protected] with this sentence filled in: "I want to write about . . . . . [describe your topic] in . . . . . . [give the title of text or film] focusing on . . . . ." [what part exactly do you plan to close read?]. Again, email me your sentence by noon Friday February 11. You are free to choose to write about anything in the assigned readings and films that we have not already discussed in class. You may of course change your topic after you begin writing. But the end of Friday afternoon, I will email you back and greenlight your planned paper topic or not. If I do not greenlight it, I suggest you email me. I will then email you back explain to you what the problem is. And we can keep corresponding until I do greenlight your paper topic.
REQUIRED READING:
FIRST PAPER DUE February 12 by 11:50 p.m.
February 10
Mr. Klein
February 12
February 14
February 17
REQUIRED : Andrei Rublev
February 19
REQUIRED READING:
Don't Loook Now
February 24
REQUIRED VIEWING:
Vertigo
February 26
February 28
March 3
REQUIRED READING:
March 5
REQUIRED READING:
SPRING BREAK / SPRING BREAK
March 10March 17
SPRING BREAK /
March 19
REQUIRED READING:
Laura
March 21
REQUIRED READING
March 24
REQUIRED READING:
March 26:
REQUIRED READING:
March 31
REQUIRED READING:
April 3
SECOND PAPER DUE by 11:59 p.m. READ THROUGH THIS WEBPAGE. READ ALL OF IT. CLOSELY. VERY CLOSELY. PLEASE NOTE: Now that you have learned from your mistakes in our discussion of your first paper, and now that you have practiced writing twice a week through your DQs, I fully expect you to be able to make an argument in your essay, write grammatical sentences, use words properly, and punctuate properly. Papers that have ungrammatical sentences, mispunctuate, or misuse words will get "D" grades. Be sure to give yourself time to revise and to proofread your paper carefully before you send it to me at[email protected]. I recommend reading your work aloud. It's a good way to see what you need to revise. You can also get help at the Writing Program. See also the Plain Style: A Guide to Written English. READ THROUGH THIS WEBPAGE. READ ALL OF IT. CLOSELY. VERY CLOSELY.
April 5
REQUIRED VIEWING:
REQUIRED VIEWING:
REQUIRED VIEWING:
THIRD PAPER DUE April 16 by 11:59 p.m.
April 21
April 23
Class Discussion
I designed this course myself and am looking forward to teaching it this semester. If you have a question or a problem, please contact me in class or at [email protected]. (I am the manager.)
Email all work for the course to me at [email protected]
No cell phones, ipads, or laptops in use during class.
all changes will be announced both in class and on the class email listserv.)
YOUR FIRST ASSIGNMENT:
Due January 14 by 5:00 p.m: Second Viewing Responses. Give the timestamps of the shots or scenes in the film you think are related by design to two of the four shots I will give you.In your word doc, give the timestamps of the single shots or sequence of shots for two of the four out of mix, and give a description (around 40 words) of the formal relation you observe between the shots I gave you and the shots you noticed. Email all work for the course to me at
After you click on the link on the title and watch, write two Discussion Questions (DQs) on and describe any three shots of your choice with three film analysis terms.
Put your DQs and three shots in one word document--.doc or .docx--and send the word . Don't send me a google doc or copy your document into your email. Don't forget to put your name in the upper right corner of your word document. If you want to know how to improve your discussion questions, I will be happy to meet with you on zoom during office hours or by appointment and show you.
Example of the word document format for discussion questions due Mondays by 5:00 p.m.:
Your name in the upper right corner.
1. (with timestamps of the shots you are discussing)
2. (with timestamps of the shots you are discussing)
a. (descriptions using film analysis terms with timestamps)
b. (descriptions using film analysis terms with timestamps)
c. (descriptions using film analysis terms with timestamps)
REQUIRED FIRST VIEWING:
Post Your DQs etc for Spring 2025 here.
Due JANUARY 21 by 5:00 p.m: DUE: Viewing Responses. Listen to the sound design of the film. Note five timestamps where bells or extra-diegetic music plays. Discuss what you hear in two of the five timestamps you've noted. You'll notice that some musical themes are repeated. Email all work for the course to me at
JANUARY 22
REQUIRED VIEWING:
Listen to the sound design of the film. Note five timestamps where bells or extra-diegetic music plays. Discuss what you hear in two of the five timestamps you've noted. You'll notice that some musical themes are repeated.
Due JANUARY 24 by 5:00 p.m: Write two Film Discussion Questions (DQs) on . Send your DQs and three shots in one word document as an attachment to me at . Don't forget to put your name in the upper left corner. That is all you need to put: just your name. :) Email all work for the course to me at
Once you have a partner to co-lead class discussion, create a google doc for your notes and share it with me by 5:00 p.m. the day before you are co-leading so I can add my thoughts. Make sure you give me permission me to edit the document.
Third Paper due April by midnight. You will formulate your own paper topics and them to me by April 15 for approval. I will respond within twenty-four hours or lss. Email all work for the course to me at
Due JANUARY 19 by 5:00 p.m: Write two Film Discussion Questions (DQs) on and three shots with three film analysis terms. Send your DQs and three shots in one word document as an attachment to me at [email protected]. Don't forget to put your name in the upper left corner. That is all you need to put: just your name. :) Email all work for the course to me at [email protected]
I will be asking you to learn how to do something no one may ever have asked you to do: it's called close reading. (Please do not confuse being moralistic and judgmental--"it didn't do 'x' and it should have done!"--with being critical--"why is the work doing what it is doing the way it is doing it?")."
Close reading means paying attention to language, to the words the author has used, the order in which they are used, and appreciating how well they are used. It means paying attention not to what is said but to how it is said; it means paying attention to the structure of sentences and the structure of the narrative; it means paying attention to tropes such as metaphor, metonymy, and irony, among others; it means being alert to allusions a work of literature makes to other works of literature.
See Cleanth Brooks, "The Heresy of Paraphrase," in The Well-Wrought Urn.
Close reading is a practice designed for literature, for texts that are extremely well-written. Literature is universal. Literature is often difficult to write. And it is often difficult to read. Not just anyone can write it. And not just anyone can read it closely. (If you do not know how to write a grammatical sentence or how to punctuate or how to use words correctly, you cannot learn how to read closely.) All writers of literature are excellent close readers. They know humongous amounts of (big) words.
Do not ask about the author or the historical context. Do not ask speculative questions. They cannot be answered and so are not productive for discussion. Do not ask what the work tells us about some general issue today. Ask about what the work says.
Predatory Reading vs. Literary Criticism
How to Read a Book 1940 edition
How to Read a Book 1966 edition
How To Read A Book 1972 Edition
Guy J. Williams, "Harkness Learning: Principles of a Radical American Pedagogy"
"What we must not forget, however, is that it is in the completion of the text by the reader that these adjustments are made; and each reader will make them differently. Plurality is here not a prescription but a fact. There is so much that is blurred and tentative, incapable of decisive explanation; however we set about our reading, with a sociological or a pneumatological, a cultural or a narrative code uppermost in our minds, we must fall into division and discrepancy; the doors of communication are sometimes locked, sometimes open, and Heathcliff may be astride the threshold, opening, closing, breaking. And it is surely evident that the possibilities of interpretation increase as time goes on. The constraints of a period culture dissolve, generic presumptions which concealed gaps disappear, and we now see that the book, as James thought novels should, truly "glories in a gap," a hermeneutic gap in which the reader's imagination must operate, so that he speaks continuously in the text.
Barthes denies the charge that on his view of the reading process one can say absolutely anything one likes about the work in question; but he is actually much less interested in defining contraints that in asserting liberties.
When we see that the writer speaks more than he knows what we mean is that the text is under the absolute control of no thinking subject, or that it is not a message from one mind to another."
--Frank Kermode, "A Modern Way with the Classic"
New Literary History Vol. 5, No. 3 (Spring, 1974), pp. 415-434; pp. 425; 432; 433
The reason literature, film, and philosophy are so great, so deeply admired yet often controversial, even despised, is that writers are free to say anything they wish they way they want to say it, fillmakers get to show images of anything they wish, they way they want to show them, and philosophers can ask philosophical questions about anything they wish whenever they want. It's called FREEDOM OF EXPRESSION. As anyone who understands anything about language knows, intention and context do matter. I find attempts to get people fired from their jobs because of something they said repellent and unseemly.
TENTATIVE SCHEDULE (Please expect adjustments to be made in the schedule from time to time; all changes will be announced both in class and on the class email listserv.)
In order to include all students in class discussion, and in order to make it easier for you to read closely and thereby improve your own writing, We will close read, read slowly the assigned text sentence by sentence or the assigned film shot by shot. Discussion co-leaders and I will call on a student at random and ask that student to read a specific sentence out loud and then to close read it. If the student is unable to read the sentence closely, the co-leaders will call on another student and ask that student to read a specific sentence out loud and then to close read it. We will continue to discuss the same sentence until a student reads it closely. We will then proceed in the same fashion with the next sentence. And so on. Due to time constraints and because close reading is slow reading, we will skip parts of the assigned text, but we will always be talking and only be talking about words, syntax, punctuation, paragraphing, and narration in the text. As we move through the text, we will be able to make more general comments about parts of it. If students have comments to add on the sentence under discussion, they may raise their hands and make them once they have been called on by the co-leaders or me.
In order to learn the names of all the students in the class, I will take roll on canvas at the beginning of class. As I state on the requirements webpage, if you are late to class, I consider you absent. If you are absent more than twice, your final grade may suffer. If you are absent four times, you fail the class.
Here is what I have written on the requirements webpage:
"Attendance means not only being in class, but includes completing the assigned work for each class by the time it is due and arriving to class on time. (If you arrive late to class or if you don't do the discussion questions, you are counted as absent.)
Repetition is key to learning.
To learn how to understand a piece of music, a philosopher said, you have to hear it twice.
A conductor of baroque music said you have to listen to repeated hearings before you understand it.
"How full of meaning and significance the language of music is we see from the repetition of signs, as well as from the Da capowhich would be intolerable in the case of works composed in the language of words. In music, however, they are very appropriate and beneficial; for to comprehend it fully, we must hear it twice."
--Arthur Schopenhauer, "On the Metaphysics of Music"
Vienna and Schubert: 'Death and the Maiden' String Quartet - Professor Chris Hogwood CBE
"The greatest pieces of music are called classics simply because at a first hearing--that is terribly...very complicated to work out what's going on or even more complicated to explain to yourself why it's going on--even to hear it has to be heard several times. Probably after first hearing, immediately go back and hear it again, and on repeated hearings repeated things come to light."
--Christopher Hogwood
https://www.youtube.com/watch?v=mTziL0Xwa-s timestamp 29:00 |
--Barbara Johnson quoting Roland Barthes on rereading versus reading.
Nothing below is required for this course: