Please read the Class Policies page now. Note that missing more than two classes, excused or not, and silence in class discussion can have an impact on your final grade to be determined at my discretion. If you miss more than four days of classes, you will not pass the class.
Tuesday Period 2 - 3 (8:30 AM - 10:25 AM)
Thursday Period 3 (9:35 AM - 10:25 AM)
Richard Lanham, Revising Prose (1979) Read Chapters 1 and 2 and follow Lanham's advice before you turn in any work.
TO MY KNOWLEDGE, THE BEST WEBSITE FOR FILM ANALYSIS IS
https://filmanalysis.yale.edu/
These websites can also be useful;
Film Studies: Film Terminology & Analysis
Columbia film glossary with clips
Columbia film glossary of terms
"If you skip class, you don't pass."
How Great Editors Think Like Filmmakers (Scene Breakdown)
Walter Murch and In the Blink of an Eye
How to Make a Movie Trailer for Terrible Movies- Editing 3-Act Trailer Structure
Iconic movie trailers, explained by a trailer editor
YOUR FIRST ASSIGNMENT is due next week, Monday, January 19 by 5:00 p.m. See below for details. Richard Lanham, Revising Prose (1979) Read Chapters 1 and 2 and follow Lanham's advice before you turn in your work.
Please turn off your cell phones and computers before class. You can't discuss a film or reading if you are multi-tasking. I expect everyone to be paying full attention during class. Take notes with paper and pen or pencils. We will use the computer and computer projecter in class as we need them when discussing the film.
Post your DQs and Three Shots BOTH on CANVAS https://elearning.ufl.edu/ and on this Google doc so that everyone in class has a chance to read.
Discussion Questions are always due Mondays by 5:00 p.m. I will give quizzes at the beginning of class on Thursdays.
YOUR FIRST ASSIGNMENT on is due January 19 by 5:00 p.m. (See below.)
When you are co-leading discussion, put your notes on a google doc and put the link to your google doc on Canvas. Give me permission to edit your google doc so I can comment on it. Do not delete your notes. Please put the links to your google doc co-leading notes on Canvas
I designed this course myself and am looking forward to teaching it this semester.
If you have a question or a problem, please contact me in class or at [email protected].
No cell phones, ipads, or laptops in use during class. I expect your full attention during class discussion for the entire class period.
If you have an ADA accommodation, please let me know how I can help.
Tentative Schedule: (Please expect minor adjustments to be made in the schedule from time to time; all changes will be announced both in class and on the class email listserv. Soon we will begin discussing film trailers for the assigned films.)
Four of the films will will watch on available on the Criterion Channel. A subscription costs $10.99 a month.
January 13 The Importance of Film Editing and Film Music: Olivier's Henry V (1944) and Branagh's Henry V (1989). Which version is better? Why? But first. Let's watch the trailers.
Trailer for Henry V (dir. Laurence Olivier 1944) ORIGINAL TRAILER [HD 1080p]
A Brief Detour on image and sound quality
https://www.criterionchannel.com/henry-v-1 (The sequence dissolves from a long and brisk tracking shot (1:29:37) of French knights, each one in turn about to get on their horses to a close-up of St. George's flag at 1:30:11.)
Trailer for Henry V Official Trailer #1 (1989) Kenneth Branagh HD
Now we may watch St. Crispin's Day Speech both in Laurence Olivier's Henry V (1944) and in Kenneth Branagh's Henry V (1989).
There will be a quiz on the assigned viewings (1-6) at the beginning of class January 15. Missed quizzes may not be made up.
DUE January 15 WHAT IS A TRAILER? WHAT IS A TEASER? WHAT IS A SIZZLE REEL? WHAT IS A MONTAGE? WHAT IS A MAIN TITLE SEQUENCE?
REQUIRED READINGS and VIEWINGS:
Watch These Trailers
1. How to Make a Movie Trailer: 6 Tips for Cutting Your Own Trail
2. Dissecting a Trailer: The Parts of the Film That Make the Cut
3. Christopher Hooton, We spoke to the people who make film trailers
Watch the Title Sequences
4. Sometimes Titles Are the Whole Story
5. The Oscar for Best Film Title Sequence Goes to ...
Watch these Sizzle Reels
6. Sizzle reels made by Cohen Media and in 2016 as silent films with music (with cross-cutting between a number of films, all of which and are reassembled given titles at the end of the sizzle) PARALLEL EDITING. Dividing up films by clips and that follow in a certain order and then following that same struture or pattern with clips that connect back to the previous clip.
Due Monday, January 19 by 5:00 p.m: After you watch Macbeth (dir. Roman Polanski, 1971), write two Discussion Questions (DQs) on Macbeth (dir. Roman Polanski, 1971), and describe any three shots of your choice with three film analysis terms.
What Is a Good DQ? A question about some formal aspect of the film.
Here is an excellent and concise audiocommentary over a few moments on lighting in a film. John Bailey Breaks Down a Tour de Force of Gothic Lighting
This Google doc gives examples of the format for the Discussion Questions and description of any three shots of your choice with three film analysis terms. They are always due Mondays and Wednesdays by 5:00 p.m. unless otherwise specified.
Post your DQs and three shots BOTH on Canvas AND on this Google doc by 5:00 p.m.
January 20 In some cases you may need to rent an assigned film online or watch it on disc.
REQUIRED VIEWING:
https://www.criterion.com/films/28020-macbeth
Macbeth (dir. Roman Polanski, 1971) You can find unedited versions of many of Shakespeare's plays for free online here. Here you can find the text of The Tragedy of Macbeth.
There will be a quiz at the beginning of class January 22. Missed classes may not be made up. I'LL SHOW YOU SHOTS FROM THE FILM AND POSSIBLY ALSO IN THE FILM TRAILER TOO AND ASK YOU TO IDENTIFY THEM FROM MEMORY.
This Google doc gives examples of the format for the Discussion Questions and description of any three shots of your choice with three film analysis terms. They are always due Mondays and Wednesdays by 5:00 p.m. unless otherwise specified.
January 22 Shot Selection, Re-editing, and Music Editing in the Film Trailer
IN CLASS QUIZ. I'LL SHOW YOU SHOTS FROM THE FILM AND POSSIBLY ALSO IN THE FILM TRAILER AND ASK YOU TO IDENTIFY THEM FROM MEMORY.
REQUIRED VIEWING:
https://www.criterion.com/films/28020-macbeth
COMPARE The TRAILER to the FILM. Which shots are kept? Which lines from the play? How are they resequenced?
How does the film's opening differ the trailer's opening? How does the film edit the music?
Macbeth (dir. Roman Polanski, 1971)
Sign Up to Co-Lead Class STARTING JULY 27. Do not partner with the same person twice. Once you have a partner to co-lead class discussion, the two of you will create a google doc for your notes and share it with me by 5:00 p.m. the day before you are co-leading so I can add my thoughts. Make sure you give me permission to edit the google document. When you co-lead, you do not have to turn in DQs and three shots.
January 27
Different Assignment in Place of DQs
Write one DQ on the French Trailer and Preview for Castle of the Spider's Web (an accurate translation of Throne of Blood). Ignore the French subtitles. And write one DAQ on the 70mm video.
1. Le Château de l'araignée ( bande annonce VOST ) (French subtitles)
2. 70mm: From Oklahoma to Oppenheimer (Or, How Very Big Film Was Used to Make Very Big Movies)
Recommended:
Throne of Blood / Le Château de l'araignée Akira Kurosawa trailer (in Japanese)
2. LE CHÂTEAU DE L'ARAIGNÉE - extrait "la prophétie réalisée" (HD - VOST)
The Criterion edition and trailer are linked here (with a paid subscription)
Apocalypse Now (1979) Opening Sequence
REQUIRED VIEWING:
January 29 IN CLASS QUIZ. I'LL SHOW YOU SHOTS FROM THE FILM AND POSSIBLY ALSO IN THE FILM TRAILER AND ASK YOU TO IDENTIFY THEM FROM MEMORY.
REQUIRED VIEWING:
Throne of Blood (dir. Akira Kurosowa, 1957) For another example of a wrong aspect ratio, see here.
The Criterion edition and trailer are linked here (with a paid subscription)
February 3
Required Viewing: Write one DQ on each trailer
Two Trailers
Macbeth - Orson Welles - Jeanette Nolan - 1948 - Trailer - 4K
(Ignore the French text)
Macbeth d'Orson Welles : Bande-annonce Carlotta Rerelease trailer
WELLES.jpeg)
February 5 IN CLASS QUIZ. I'LL SHOW YOU SHOTS FROM THE FILM AND POSSIBLY ALSO IN THE FILM TRAILER AND ASK YOU TO IDENTIFY THEM FROM MEMORY.
REQUIRED VIEWING:
Macbeth (dir. Orson Welles, 1948)
February 10
REQUIRED VIEWING:
Hamlet (dir. Laurence Olivier, 1948)
https://www.criterionchannel.com/hamlet
February 12 IN CLASS QUIZ. I'LL SHOW YOU SHOTS FROM THE FILM AND POSSIBLY ALSO IN THE FILM TRAILER AND ASK YOU TO IDENTIFY THEM FROM MEMORY.
REQUIRED VIEWING:
Trailer:
Hamlet - Laurence Olivier - 1948 - Trailer - 4K
https://www.criterionchannel.com/hamlet
So oft it chances in particular men 651
That, for some vicious mole of nature in them,
As in their birth,- wherein they are not guilty,
Since nature cannot choose his origin,-
By the o'ergrowth of some complexion,655
Oft breaking down the pales and forts of reason,
Or by some habit that too much o'erleavens
The form of plausive manners, that these men
Carrying, I say, the stamp of one defect,
Being nature's livery, or fortune's star,660
Their virtues else- be they as pure as grace,
As infinite as man may undergo-
Shall in the general censure take corruption
From that particular fault. The dram of e'il
Doth all the noble substance often dout
To his own scandal.665
FIRST Paper (Write it on a google document)
First Paper: a shot by shot analysis of a film trailer or teaser from the ones we haved in class. You also choose a trailer from Baz Lurmann's william Shakespeare's Romeo + Juliet, Zefferelli's Romeo and Juliet or his Hamlet, Ethan Cohen's Macbeth, or Hamnet (dir. Chloe Zao, 2025).
Due February 15 by 11:59 p.m. Please write your assignment on a google doc and post the link to it on canvas under Paper 1.
DUE Saturday, February 15, by 11:59 p.m.
Post the link to your google doc on canvas.
Live GRADING in 4314 Turlington. We will meet on zoom to discuss your assignment. I will send out an email with a link to a google with a schedule of times we can meet. You'll just need to sign up.
TO MY KNOWLEDGE, THE BEST WEBSITE FOR FILM ANALYSIS IS
https://filmanalysis.yale.edu/
These websites can also be useful;
Film Studies: Film Terminology & Analysis
Columbia film glossary with clips
Columbia film glossary of terms
February 17
REQUIRED VIEWING:
Hamlet (dir. Grigori Kozintsev 1964)
Hamlet / (dir. Grigori Kozintsev 1964) (Russian Trailer) (English Subt)
Recommended:
February 19
REQUIRED VIEWING: IN CLASS QUIZ. I'LL SHOW YOU SHOTS FROM THE FILM AND POSSIBLY ALSO IN THE FILM TRAILER AND ASK YOU TO IDENTIFY THEM FROM MEMORY.
Grigori Kozintsev's Hamlet 1964 Original Trailer
Which shots in the trailer are not in the film?
February 24
Co-leaders please make sure you have signed up to co-lead a second class later in the semester.
King Lear (dir. Peter Brook, 1971)
https://login.lp.hscl.ufl.edu/login?URL=https://digitalcampus.swankmp.net/ufl275793/
Recommended:
Continuity Editing / Normative Hollywood Cinema
Ending with music: King Lear (dir. Richard Eyre, 2018) 1 50 13 "and my poor fool is hang'd" 1 v52 54 after kents "I must not say no" music gets louder ; theme repeats; arranged like classical music ; 1 52: 12 Edgar; kent and corpses ;1 53 42 violin plays the theme--sad--but too sad? bell begins ringing at 1 53 46;bell stops 1 54 16 and then the "THE END"; 1 54 18 Logos music stops 1 55 00
February 26
REQUIRED VIEWING:
King Lear (dir. Peter Brook, 1971) Trailer
https://login.lp.hscl.ufl.edu/login?URL=https://digitalcampus.swankmp.net/ufl275793/
March 3 DIFFERENT ASSIGNMENT (IN PLACE OF DQs) ***Select five shots from King Lear you would choose if you were making Your Own Trailer - turn this assignment in by 5:00 p.m. on Monday, March 2.***
REQUIRED VIEWING:
King Lear - Grigori Kozintsev - Jüri Järvet - Shakespeare - 1970 - HD Restored - 4K
King Lear - Grigori Kozintsev - Jüri Järvet - Shakespeare - 1970
March 5 IN CLASS QUIZ. I'LL SHOW YOU SHOTS FROM THE FILM AND POSSIBLY ALSO IN THE FILM TRAILER AND ASK YOU TO IDENTIFY THEM FROM MEMORY.
REQUIRED VIEWING:
King Lear dir. Grigori Kozintsev, 1970 - HD Restored - 4K
King Lear dir. Grigori Kozintsev, 1970
Recommended:
Normative Shakespeare Cinema:
King Lear (dir. Richard Eyre, 2018)
TrailerShakespeare illustrations by Soviet artist, Savva Brodsky (1923-1982).
March 10 The Film Essay
REQUIRED VIEWING:
King Lear (dir. Jean Lu-Godard, 1989) or here: https://www.youtube.com/watch?v=OL7Ii-6Rdpc
March 12 IN CLASS QUIZ. I'LL SHOW YOU SHOTS FROM THE FILM AND POSSIBLY ALSO IN THE FILM TRAILER AND ASK YOU TO IDENTIFY THEM FROM MEMORY.
King Lear (dir. Jean Lu-Godard, 1989) or https://www.youtube.com/watch?v=OL7Ii-6Rdpc
1987 Trailer from the Cannon Group
Recommended:
Shakespearean_Films_shakespearean_Directors Peter Samuel Donaldson 1990
"Trailer" for Jean-Luc Godard's last film «Trailer of a Film That Will Never Exist: Phony Wars»
SAINT LAURENT PRODUCTIONS - TRAILER OF A MOVIE THAT WILL NEVER EXIST: “PHONY WARS” - JEAN-LUC GODARD
Trailer of the Film That Will Never Exist: "Phony Wars"
March 17 SPRING BREAK
March 19 SPRING BREAK
FINAL AND THIRD ASSIGNMENT DUE APRIL 21
March 24
REQUIRED VIEWING:
King Lear (dir. Akira Kurosawa, 1985)
https://www.criterionchannel.com/ran-1
Recommended:
A Tribute To Akira Kurosawa's Hand-Painted Storyboards - Total Remake
DVDBeaver.com reviews 1998-2016 (a two disc steelbook 4K edition was released in 2016 and a four disc 4K edition was released in 2025)
March 26
IN CLASS QUIZ. I'LL SHOW YOU SHOTS FROM THE FILM AND POSSIBLY ALSO IN THE FILM TRAILER AND ASK YOU TO IDENTIFY THEM FROM MEMORY.
https://www.criterionchannel.com/ran-1
REQUIRED VIEWINGS:
Trailers:
0. https://www.criterionchannel.com/videos/ran-trailer
1. Ran Akira Kurosawa - Official Trailer - 1985 - (King Lear adaptation) - 4K "back on video" Voice-over narration
2. RAN - Official Trailer #2 - 60th Anniversary Restoration Studio Canal UK
3. Ran (1985) Original Trailer [HD] IN JAPANESE (No dialogue, Suite for end titles plays continuously on the soundtrack)
4. RAN | 40th Anniversary Official Trailer | STUDIOCANAL
Recommended:
March 31
REQUIRED VIEWING:
To Be or Not to Be (dir. Ernst Luitsch, 1941)
At https://www.criterionchannel.com/to-be-or-not-to-be
And With audiocommentary: https://www.criterionchannel.com/to-be-or-not-to-be/videos/to-be-or-not-to-be-commentary
April 1 The (Short) Film Essay:
IN CLASS QUIZ. I'LL SHOW YOU SHOTS FROM THE FILM AND POSSIBLY ALSO IN THE FILM TRAILER AND ASK YOU TO IDENTIFY THEM FROM MEMORY.
REQUIRED VIEWINGs:
2. Three Reasons: To Be or Not to Be
We will watch Three Reasons: The 39 Steps, Quand le cinéma cite Vertigo - Blow Up - ARTE during class.
Recommended just for your information:
Criterion's "3 Reasons" series and Arte's Blow Up series, "l'actualité du cinéma (ou presque)." (I will give you translations in English.)
Sign Up to Present Your Trailer etc.in class.
Sign Up to Present Your Trailer etc.in class. April 16 or
April 22. If you haven't signed up by April 10, I'll assign you a time and date.
https://docs.google.com/document/d/1yTu1n8Wz9VlClVH3xMRkUIX-1HYtRa1EvBi3HSd1lbM/edit?tab=t.0
April 7
REQUIRED VIEWING:
William Shakespeare's Romeo + Juliet Directed by Baz Luhrmann • 1996•
April 9 IN CLASS QUIZ. I'LL SHOW YOU SHOTS FROM THE FILM AND POSSIBLY ALSO IN THE FILM TRAILER AND ASK YOU TO IDENTIFY THEM FROM MEMORY.
REQUIRED VIEWING:
Note that the film repeats the prologue twice. The first prologue is just one take. The second prologue is shot just like the film's trailers.
Two trailers and the film two prologues.
Trailer 1 Romeo + Juliet (1996)
Trailer #1 | Movieclips Classic Trailers
Trailer 2 Romeo + Juliet (1996)
William Shakespeare's Romeo + Juliet 1996 official trailer
Prologues (both of them)
Romeo + Juliet Baz Luhrmann - Prologues
DQ1: Hypothesis: the second prologue is only one of many ways the film is dumbed down. What other ways or instances are there?
DQ2: What does repeating the prologue a second time in the form of a trailer tell us about the film?
Recommended (optional)
PARODY Honest Trailers | Romeo + Juliet
April 16
REQUIRED VIEWING:
Othello (dir. Orson Welles, 1952 and 1955 versions)
https://www.criterionchannel.com/othello (1952)
https://www.criterionchannel.com/othello/videos/othello-1955-u-s-version (1955)
The funeral and title sequences of Orson Welles's 1952 and 1955 versions of Othello. Compare the openings and endings of both. Where and how do the title sequences differ? How does the music at the ends of the funeral sequences differ?
1952 [0:22-4:29] Spoken title sequence follows [1:32:33- 1:33:28]
1955 [0:22-4:23] title visible and narration [1:32:32--1:33:26 "The End"]
FINAL ASSIGNMENT DUE APRIL 15:
MAKE YOUR OWN TRAILER / trailers for one of the films we've watched this semester.
April 16 In class presentations.
April 22 In class presentations.
PAY NO ATTENTION TO THE MATERIALS BELOW. THEY HAVE NOTHING TO DO WITH THE WORK ASSIGNED FOR THIS COURSE. IGNORE ALL DATES.
Fake shot reverse shot edit of Daniel Craig (James Bond) and Orson Welles (Le Ciffre)
https://x.com/tomsmason91/status/2026726548003311739
https://docs.google.com/document/d/1yTu1n8Wz9VlClVH3xMRkUIX-1HYtRa1EvBi3HSd1lbM/edit?tab=t.0
Four Viewings this Class. Write one DQ on Filming Othello and one DQ on one of the three trailers of your choice.
REQUIRED VIEWING:
1. Filming Othello (dir. Orson Welles, 1978) Filming Othello - Orson Welles - Documentary - Multiple Subtitles -
Funeral Sequence music begins early, so first shot of the film begins late (0:24-2:00) and the music ends early from 2:00- 2:07 on "This is a Movieola."
Three Trailers:
2. Trailer OTHELLO by Orson Welles - NYC
3. Othello d'Orson Welles : bande-annonce 2014
4. 1951 - Othello Trailer - Orson Welles
Orson Welles never talks about the soundtrack of the film, just uses the opening of the film Othello soundtrack for the opening of Filming Othello
Welles deconstructs his closing distinction between the Othello he makes and the Othello he wishes he could make in the future. The unmade one is the one he prefers.
Shakespeare vu par Orson welles : l'obsession magnifique.
Table ronde avec Simon Callow, Julie Vatain-Corfdir et François Thomas, animée par Frédéric Bonnaud
« J'aimerais dire ceci : tout metteur en scène qui dirige une pièce ou un film shakespearien, tout acteur qui joue dans une pièce ou un film shakespearien ne peut en réaliser qu'une petite partie. Shakespeare est le plus grand homme qui ait jamais vécu, et nous, nous sommes de pauvres taupes qui travaillons sous terre. Tout ce que nous pouvons faire, c'est de saisir, de mordre un petit quelque chose, mais ce que nous saisissons doit être vrai et non pas dénaturé. Je suis tout à fait opposé à ce qu'on dénature une mise en scène shakespearienne. » (Orson Welles)
L'Inhumaine (1924) | Directed by Marcel L'Herbier - Trailer [HD]
Film Trailer Exercise, due April 21 by 11:59 p.m.
ANORA - Official Redband Trailer
Blondie - dreaming (w/ the trailer music combined from 'Anora')
Blow Out - 360 Pan Shot
2. A shot by shot analysis of a Criterion film essay: Three Reasons: To Be or Not to Be (dir. Ernst Lubitsch, 1941)
https://richardburtphd.com/criterionthreereasonstobeornottobe.html
3. OR Create your own film essay
4. OR Create your own film essay on the sound of a film. Here is an example: Criterion: Echo Chamber: Listening to La Jetée
5. A Trailer Analysis Assignment.
https://richardburtphd.com/trailerassignment2024.html
Post the link to your document on canvas.
Integrated title sequence Deadpool
The Revenant | Official Trailer
Vertigo Official Trailer #1 - (1958) HD
“Saul Bass: A Life in Film and Design”
The Man Who Made the Title Sequence Into a Film Star
Inside Out US Teaser Trailer - YouTube (sizzle reel of "previously on"s)
Using gifs of shots instead of image captures.Some problems with using image captures:
Recommended:
Some problems with using image captures:
DUE APRIL 21
Recapping as "Hand-picked" Selection of "Best Scenes"
Akira Kurosawa’s Epic Action Drama Ran | Best Scenes StudiocanalUK
(Four Scenes in Nine minutes)
The Four Scenes are divided by one to five words: "Arrow"; "The Killing of the Guardian"; "Treason"; and "Burning Castle"
https://www.youtube.com/watch?v=e6NMNJcudlI
Note how sound works scenes: diegetic in one; Music in two, three, and diegetic and music in four. And the long take at 6:53-8:46.
You can watch the film streaming on one the vendors given here:
https://www.justwatch.com/us/movie/ran
Recommended:
Butterfly TV series 2025 (23:45 minutes) The logic of the editing (SOFTWARE PROGRAM?) IS ROUGHLY MATCHED to the monotonous, affectless voice-over narration.
Movie Recaps @movierecapsofficial (10-15 minutes)
Are wiki-pedia plot summaries for movies written by AI?
Hamnet (dir. Chloe Zao, 2025)
HAMNET - Official Teaser Trailer [HD]
1. Editing and Music in Vertigo
2. https://richardburtphd.com/TRAILERASSIGNMENT#2
3. Dissect your trailer (the one you analyzed for your first paper) If you know how to use microsoft excel, you may create a graph like the one from Silver Linings Playbook below. Write your paper as a google doc and post a link to it on canvas.
March 3 "Previously On" and Other Recaps
Binge Watching a Shakespeare TV series Henry VI, Parts One to Three, and Richard III
The Hollow Crown Trailer (almost all 13 episodes!)
REQUIRED VIEWING:
The Hollow Crown THE WARS OF THE ROSES, Season 2, EPISODES 1-4
(HENRY VI, Parts 1, 2, 3, and 4)
Required Reading:
Laura Bliss, "Previously On: In Praise of the Television Recap SequenceAs plots become more and more complex, the humble summation has risen to an art form." 2015
Dear TV Streamers, Please Provide Better Recaps of Previous Seasons
Youtubeclip of "Previously On" clips of TV series with only the voice-over.
Previously on… / https://tvtropes.org/pmwiki/pmwiki.php/Main/PreviouslyOn
Jaime WeinmanThe Origin of "Previously On...?"February 11, 2009
""Coming up next on . . ." / Haters
Divide the text source of one Shakespeare's tragedies and turn it into a five episode TV mini-series. Each Act will be one episode. Creat "previously on" sequences for Acts 2-4
TRAILERS AND EXTRACTS
1. "Let's Talk of Graves, of Worms, of Epitaphs . . . " The Hollow Crown Trailer 70 seconds (40 seconds of voice-over narration)
2. Longer version of this trailer "The House of Lancaster Warriors" 1:56 seconds (22 seconds of voice-over narration)
3. "Let's Talk of graves" speech in the Hollow Crown film Richard II (Ben Whishaw) (23 Shots) 2:58 minutes
4. The Making of Richard II (The Hollow Crown) One Shot 44 seconds
5. RSC's Richard II Let's talk of graves speech (David Tennant)
6. An Age of Kings David Williams (1960), BBC Derek Jacobi (1978), Richard Pasco 1982, Mark Rylance, Globe Theater (2003) Richard II: "Tell Sad Stories of the Death of Kings" speech
Richard Burton recites the same speech from Shakespeare's Richard II
0:05 / 2:22 The Hollow Crown - Tom Hiddleston's St Crispin's Day Speech (with music from Kenneth Branagh's 1989 version)
Tom Hiddleston Performs Henry V Monologue Nested Sequence (2024) - Spencer Harrington
The Hollow Crown The Hollow Crown (TV series)
"Young Drunk Becomes King And Immediately Unleashes a War"March 5
Binge Watching a Shakespeare TV series
Official Preview | The Hollow Crown: The Wars of the Roses | G
Richard III, Season 2, Episodes 5, 6,7
March 10 Richard II, Henry IV, Henry V
Binge Watching a Shakespeare TV series
Shakespeare's Richard II from The Hollow Crown: Shakespeare's History Plays series
Season 1, Episodes 1-3 (Richard II)
Shakespeare's Richard II from The Hollow Crown: Shakespeare's History Plays series
March 12 "Previously On"
Binge Watching a Shakespeare TV series
REQUIRED VIEWING:
1. Season 1, Episodes 8, 9, 10, Henry V
2. And watch the "previously on" parts of episode 5-8 (Herny IV)
The Hollow Crown: Wars of the Roses Richard III Trailer
HENRY VI: THE WARS OF THE ROSES Teaser - 2022
"Would I were dead . . ." Wars of the Roses | Trailer
THE HOLLOW CROWN on GREAT PERFORMANCES | The War of the Roses: Henry VI Part 1 Preview | PBS
https://www.youtube.com/watch?v=RvlGMtzclYM
https://www.youtube.com/watch?v=RvlGMtzclYM
https://mckellen.com/stage/r2/speechscan.htm
March 17 SPRING BREAK
March 19 SPRING BREAK
Trailer Assignment:
ALTERNATE UNIVERSE, or BURTAVERSE
March 24
REQUIRED VIEWING:
King Lear - Grigori Kozintsev - Jüri Järvet - Shakespeare - 1970 - HD Restored - 4K
King Lear - Grigori Kozintsev - Jüri Järvet - Shakespeare - 1970
***Select five shots from King Lear you would choose if you were making Your Own Trailer - turn this assignment in by 5:00 p.m. on Wednesday, October 23rd.***
March 24
REQUIRED VIEWING:
King Lear dir. Grigori Kozintsev, 1970 - HD Restored - 4K
King Lear dir. Grigori Kozintsev, 1970
Shakespeare illustrations by Soviet artist, Savva Brodsky (1923-1982).
March 31
EQUIRED VIEWING:
King Lear (dir. Akira Kurosawa, 1985)
April 1
REQUIRED VIEWING:
Trailers:
1. Ran Akira Kurosawa - Official Trailer - 1985 - (King Lear adaptation) - 4K
(Trailer)
"Recapping" as "Hand-picked" Selection of "Best Scenes"
Akira Kurosawa’s Epic Action Drama Ran | Best Scenes StudiocanalUK (Nine minutes)
The Fourth Scenes are Divided by one to five words "Arrow"; The Killing of the Guardian"; "Treason"; Burning Castle"
https://www.youtube.com/watch?v=e6NMNJcudlI
Note how the music works scenes two, three, and four.
Butterfly TV series 2025 (23:45 minutes) The logic of the editing 9SOFTWAARE PROGRAM?) IS ROUGHLY MATCHED to the monotonous, affectless narration.
Movie Recaps @movierecapsofficial (10-15 minutes)
Are wiki-pedia pages for movies written by AI?
Michael Anderegg, "Chimes at Midnight: Rhetoric and History," in Orson Welles: Shakespeare and Popular Culture, 123-40.
THIS WEEK AND NEXT WEEK, WE WILL BINGE WATCH ALL SIX EPISODES OF The Hollow Crown (TV series, abridged, 2012-16)! https://www.bbc.co.uk/programmes/p00s90j1
REQUIRED VIEWING:
The Hollow Crown: Season 1 The Wars of the Roses | Richard II. | Henry IV Parts 1 & 2.
REQUIRED VIEWING:
The Hollow Crown: The Wars of the Roses | Henry V.
December 26
REQUIRED VIEWING:
The Hollow Crown: Season 2 The Wars of the Roses | Henry VI: Part 1. | Henry VI: Part 2.
Tron Ares (2025) double trailer
COMPANION Trailer (2025) Jack Quaid
APM 2 09 40--2:11:00; see also 1 39 36 / 1 48 40 1 54 50
Many abuses in the world—or to put it more boldly, all the abuses in the world—result from our being taught to fear admitting our ignorance, and our being trained to accept anything we cannot refute. We talk about everything dogmatically and categorically. The practice in ancient Rome required that even testimony given by an eyewitness and rulings of judges based on their most certain knowledge had to be couched in the expression: “It seems to me.” It makes me hate things that are probable when they are impressed on me as infallible. I favor those words that soften and moderate the boldness of our assertions: “perhaps,” “in a sense,” “some,” “they say,” “I think,” and the like. And if I’d had to rear children, I would have so filled their mouths with this inquiring and open-ended way of answering—“What does that mean?” “I don’t understand.” “That may be.” “Is that true?”—that they would more likely have preserved the attitude of students at sixty, than resemble learned doctors at ten, as boys tend to do.
Michel Montaigne, "Of the Lame," Essays, Vol. 3, p. 11
The Chimes at Midnight (dir. Orson Welles,1966)
CHIMES AT MIDNIGHT re-release trailer ( 2016) - Orson Welles
PAY NO ATTENTION TO THE MATERIALS BELOW. THEY HAVE NOTHING TO DO WITH THE WORK ASSIGNED FOR THIS COURSE.
King Lear (dir. Orson Welles - Peter Brook -1953)
King Lear (dir. Richard Eyre, 2018 film)
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en.wikipedia.org |
Automated narration in a youtube plot summary of Diderot's Jacques the Fatalist.
Another example. Jacques the Fatalist by Denis Diderot | Book summary | Audiobook Academy
Recommended Viewing:
Roman Polanski and Casting Macbeth
Discussion Questions are always due Mondays and Wednesdays by 5:00 p.m. unless otherwise noted. I will no longer give the due dates.
December 10
October 29
R
Requiem of the Rose King (17 book series) 2020
Willam Empson, "Chapter Three" of Some Versions of Pastoral, "Sonnet 94"
"Sliced, stabbed, punctured, bleeding, harassed on all sides by various weaponry, the curious image of Wound Man is a rare yet intriguing presence in the world of medieval and early modern manuscripts. @j_hartnell on this enigmatic figure: buff.ly/38y3SQi "
The Northman, released on 22 April 2022 and directed by the American director Robert Eggers who also co-wrote the script with Icelandic author Sjón, is based in the original Scandinavian legend that inspired Shakespeare to write Hamlet.
Henry V - Laurence Olivier - 1944 - Trailer - 4K
0:05 / 2:22 The Hollow Crown - Tom Hiddleston's St Crispin's Day Speech (with music from Kenneth Branagh's 1989 version)
Tom Hiddleston Performs Henry V Monologue Nested Sequence (2024) - Spencer Harrington
The Hollow Crown The Hollow Crown (TV series)
https://www.criterion.com/current/posts/7546-joel-coen-s-the-tragedy-of-macbeth
Twelfth Night Trevor Nunn
Le Château de l'araignée ( bande annonce VOST )
LE CHÂTEAU DE L'ARAIGNÉE - extrait "la prophétie réalisée" (HD - VOST)
https://www.criterion.com/boxsets/577-olivier-s-shakespearehttps://www.criterion.com/films/366-richard-iii
https://www.criterion.com/films/579-henry-vhttps://www.criterion.com/films/621-hamlet
https://www.criterion.com/films/30205-romeo-and-juliethttps://www.criterion.com/films/28621-othello
https://www.criterion.com/films/735-throne-of-bloodhttps://www.criterion.com/films/28020-macbethhttp://www.dvdbeaver.com/film/DVDReviews10/hamlet_.htmhttps://www2.bfi.org.uk/sites/bfi.org.uk/files/downloads/bfi-press-release-richard-iii-blu-ray-dvd-2016-05-31.pdf
King Lear - Paul Scofield - Peter Brook - 1971
King Lear - Grigori Kozintsev - Jüri Järvet - Shakespeare - 1970
https://www.sensesofcinema.com/2017/soviet-cinema/hamlet-kozinetsev/
http://www.dvdbeaver.com/film/DVDReviews10/hamlet_.htm
King Lear (dir. Trevor Nunn, starring Ian McKellen)
Stephen Booth, "On the Greatness of King Lear" in King Lear, Macbeth, Indefinition, and Tragedy
The they has its own ways to be. . . . Averageness . . . is the an existential characteristic of the they. In its being, the they is essentially concerned with averageness. Thus, the they maintains itself factically in the averageness of what belongs to it, what it does and does not consider valid, and what it grants or denies success. The averageness, which prescribes what can and may be ventured, watches over every exception which thrusts itself to the fore. Every priority is noiselessly squashed. Overnight, everything that is original is flattened down as something long since known. Everything won through struggle becomes something manageable. Every mystery loses its power. The care of averageness reveals, in turn, an essential tendency of Dasein, which we call the leveling down of all possibilities of being.
--Martin Heidegger, Being and Time, Joan Stambaugh translation revised by Dennis Schmidt (2010), 123.
The indebtedness of idle talk has always already settled itself down in Dasein. We get to know many things initially in this way, and some things never get beyond such an average understanding. Dasein can never escape the everyday way of being interpreted into which Dasein grows initially. All genuine understanding, interpreting and communication, rediscovery, and new appropriation come about in it, out of it, and against it.
--Martin Heidegger, Being and Time, Joan Stambaugh translation revised by Dennis Schmidt (2010), 163
Hamlet (1990) Official Trailer - Mel Gibson, Glenn Close Movie HD
Othello d'Orson Welles : bande-annonce 2014
A classic, you have to repeat to understand
around 23:00 time stamp
First Assignment, a Film Clip Analysis Assignment, Due Saturday, by 11:59 p.m. Email it to me at
n needs to be moved up from the end of the essay to the front. Then you are ready to make your final revisions and add a new concluding paragraph. You may also have come up with a new title in the course of writing the paper. And then you are ready to proofread your paper. And then you will have finished writing your paper. Congratulations! :)
Macbeth (dir. Justin Kurzel, 2015)
Required Viewing:
Orson Welles, Othello (1949, 1950, 1951)
Oliver Parker, Othello
June 2:
Required Viewing:
A Double Life (dir. George Cukor, 1947)
William Shakespeare'sThe Taming of the Shrew (dir. Franco Zeffirelli, 1967)You may watch it for free on Youtube here:The Taming of the Shrew (dir. Franco Zeffirelli, 1967) Or here: The Taming Of The Shrew (dir. Franco Zeffirelli,1967)
:The Taming of the Shrew (dir. Franco Zeffirelli, 1967) Or here: The Taming Of The Shrew (1967)
Recommended Viewings (of other filmed theatrical productions of The Taming of the Shrew):
Commedia! - Taming of the Shrew - American Conservatory Theater - 1976 1976 PART 1 / 1976 PART 2 / 1976 PART 3 /The Taming of the Shrew. American Conservatory Theater. Subtitles: ENG.The Taming of the Shrew | Act 2 Scene 1 | Royal Shakespeare CompanyThe Taming of the Shrew - Meryl Streep and Raul Julia - Kiss Me Petruchio - 1978 - HD REMASTEREDRaúl Juliá and Meryl Streep Go Head-to-HeadAnd don't forget: Shakespeare: The Animated Tales The Taming of the Shrew Recommended Reading (cited by Stanley Cavell):Northrop Frye, "The Argument of Comedy" in D. A. Robertson, Jr. (ed.), English Institute Essays – 1948, (New York: Columbia University Press, 1949), pp. 58–73.FOOTNOTE:
THE ASSIGNED READING IS NOT A PROMPT. IT IS THE OBJECT OF YOUR CRITICAL ATTENTION. YOU ARE TRYING TO EXPLAIN IT TO YOURSELF SO YOU CAN EXPRESS YOURSELF CLEARLY TO OTHER STUDENTS.I will no longer post assignment due dates for Discussion Questions (DQs) and Three BIG WORDS OR THREE shots.The work is due every Monday and Wednesday by 5:00 p.m. unless otherwise noted. See the Attendance policies for this course.January 16Recommended Viewings:January 18 Sign Up to Co-Lead Class the First of at Least Two Times During the Semester. Don't co-lead with the same person twice, and co-lead once on a film and once on Cavell.Once you have a partner to co-lead class discussion, the two of you will create a google doc for your notes and share it with me by 6:00 p.m. the day before you are co-leading so I can add my thoughts. Make sure you give me permission to edit the google document.DQs ETC are always due the Monday and Wednesday before class by 5:00 p.m. I will no longer post due dates.DUE JANUARY 22, by 5:00 P.M. Post Your DQs etc on The Lady Eve (dir. Preston Sturges, 1941) on canvas AND on this google document here. OK. That is really the last time I will post due dates. :)January 23Required Viewing:January 25 Required Reading: Recommended Reading:Sigmund Freud, "The Uncanny"January 30Required Second Viewing:February 1Required Viewing:February 6Required Viewing:Recommended Viewings and Reading:Prospero's Books (dir. Peter Greenaway, 1991) Trailer
February 8 Shakespeare Rewrites The Taming of the Shrew as Revenge Comedy in Much Ado About NothingRequired Viewing:Much Ado About Nothing (dir. Nick Havinga, 1973)
Recommended Viewing:PRINCE: Come, lady, come, you have lost the heart of Signior Benedick.BEATRICE Indeed, my lord, he lent it me awhile, and I gave him use for it, a double heart for his single one. Marry, once before he won it of me with false dice. Therefore your Grace may well say I have lost it.BBC Much Ado About Nothing (dir. Stuart Burge, 1984)
Much Ado About Nothing (dir. Joise Rourke, 2011)Digital Theatre Live Broadcast, Wyndam Theatre, LondonStarring Catherine Tate and David Tennant
Recommended Listening:
Shakespearean Desire and Error / Alternation between city and country and between day and night
Required Viewing:A Midsummer Night's Dream (dir. Max Reinhardt and William Dieterle, 1935)
Recommended Viewings: A Midsummer Night's Dream (dir. Russell T. Davies, 2016); BBC Shakespeare: A Midsummer Night's Dream (dir. Elijah Moshinsky, 1981); A Midsummer Night's Dream (dir. Peter Hall, 1968)
BBC (dir. Peter Hall, 1981) Helen Mirren stars as Hermia (free on youtube).
Shakespeare: The Animated Tales A Midsummer Night's Dream
A Midsummer Night's Dream (BBC Radio 3)https://www.bbc.co.uk/iplayer/episode/b07dx7lt/a-midsummer-nights-dreamRemember? (Dir. Norman Z McLeod, 1939) is a mediocre screwball comedy but could have interested Cavell because it can easily be regarded both as a comedy of remariage and as an analogue of A Midummer Night's Dream. The memory loss potion brewed by Dr. Schmidt and Sky administered by Ames to the married couple may serve as analogues of Oberon's flower and Puck.
February 27 A Midsummer Night's Dream Required Viewing:February 29Required Reading:
Shakespeare: The Animated Tales: The Winter's TaleApril 4Required Viewing:William Shakespeare, The Winter's Tale (RSC 1999)Required Reading:THIRD PAPER DUE April 20 by 11:59 p.m.WHAT YOU NEED TO KNOW: Your assignment is to do a close reading of a clip from an assigned film we've watched this semester except the film you wrote your first film assignment on. Focus on a scene and discuss it in detail. That passage or scene is your paper topic. Cite the film to make your points. Develop your thesis. The film is your evidence. Use screen captures to support your points. If you don't know what a close reading is and have never done one before, be sure to go to http://writingcenter.fas.harvard.edu/pages/how-do-close-reading. You may also ask me for clarification. You must also know how to write a research paper or analytical essay. You will need a title for your paper and a thesis, an argument that you can state in one sentence. Your thesis should go at the end of your first paragraph. To make sure we share the same understanding of the assigned paper, please read richardburtphd.com/paper.html before you begin writing. You may figure out your title before you write your paper, but usually, you only figure out your title after you figure out your thesis. And you figure out your thesis by writing your paper. What you first thought is your conclusion often needs to be moved up from the end of the essay to the front. Then you are ready to make your final revisions and add a new concluding paragraph. You may also have come up with a new title in the course of writing the paper. And then you are ready to proofread your paper. I strongly recommend you read it aloud to catch errors. And then you will have finished writing your paper. Congratulations! :) Also, please insert image captures as needed.Email your paper (as an attachment) to me at [email protected]. Put your name in the subject title or header of your title. Put your name in your paper.Grading: I will meet with you in person to discuss your paper with you. PLEASE BE ADVISED: If you don't do the asignment, a close reading, your grade is an automatic E. If you don't put your name on your paper, it's an automatic E. If you don't have a proper title, it's an automatic E. If you don't have a thesis, it's an automatic E. One third of your grade will be based on your title; one third on your thesis; and one third on the rest of your paper.
Live GRADING in 4314 Turlington: I will meet with you in person to discuss your paper with you. P
To Be or Not to Be (dir. Ernst Lubitsch, 1941)
In order to include all students in class discussion, and in order to make it easier for you to read closely and thereby improve your own writing, we will close read, read slowly the assigned text sentence by sentence or the assigned film shot by shot. Discussion co-leaders and I will call on a student at random and ask that student to read a specific sentence out loud and then to close read it. If the student is unable to read the sentence closely, the co-leaders will call on another student and ask that student to read a specific sentence out loud and then close read it. We will continue to discuss the same sentence until a student reads it closely. We will then proceed in the same fashion with the next sentence. And so on. Due to time constraints and because close reading is slow reading, we will skip parts of the assigned text, but we will always be talking and only be talking about words, syntax, punctuation, paragraphing, and narration in the text. As we move through the text, we will be able to make more general comments about parts of it. If students have comments to add on the sentence under discussion, they may raise their hands and make them once they have been called on by the co-leaders or me.In order to learn the names of all the students in the class, I will take roll on canvas at the beginning of class. As I state on the requirements webpage, if you are late to class, I consider you absent. If you are absent more than twice, your final grade may suffer. If you are absent four times, you fail the class.Here is what I have written on the requirements webpage:"Attendance means not only being in class, but includes completing the assigned work for each class by the time it is due and arriving to class on time. (If you arrive late to class or if you don't do the discussion questions, you are counted as absent.)"
NOTHING BELOW IS REQUIRED FOR THIS COURSE. YOU MAY STOP READING HERE.Richard Burt, "Charisma, Coercion, and Comic Form in The Taming of the Shrew," Criticism 26 (Fall 1984), 295-311; reprinted in Modern Critical Interpretations: William Shakespeare's The Taming of the Shrew. Ed. Harold Bloom (New York and New Haven: Chelsea House, 1988), 79-82; reprinted in Shakespearean Criticism. Ed. Marie Lazzari (Detroit: Gale Research, 1996). Cavell, Prologues to each chapter on a screwball comedy in Cities of Words.J. Hillis Miller, Why Literature? A ProfessionStanley Cavell,"Epistemology and Tragedy: A Reading of Othello," Daedalus Vol. 108, No. 3, Summer, 1979, Hypocrisy, Illusion, and Evasion (pp. 27-43) https://www.jstor.org/stable/pdf/20024619.pdf
http://richardburtphd.com/Cavell-EpistemologyTragedyReading-1979.pdf
William Shakespeare's The Merchant of Venice (dir. Michael Radford, 2005) BBC Shakespeare: The Merchant of Venice (2008)
BBC Bites Shakespeare - The Merchant of Venice - characters"Like the previous chapter, this one concerns both a literary text and a film—in this case, not a film that is a close adaptation of a text, with tantalizing differences, but a film that is something like a commentary on a text. Eric Rohmer’s film bears, in French, the title Conte D’Hiver, which is almost the canonical French title of Shakespeare’s The Winter’s Tale. I shall, to distinguish it from the play, translate it as it is advertised in English, namely as A Tale of Winter."Marriage and Narrative Closure / Marriage and (or as) Punishment (woman as male property versus romantic love)Measure for Measure 5.1.DUKE VINCENTIO
Whipt first, sir, and hanged after.LUCIO
Proclaim it, provost, round about the city.
Is any woman wrong'd by this lewd fellow,
As I have heard him swear himself there's one
Whom he begot with child, let her appear,
And he shall marry her: the nuptial finish'd,
Let him be whipt and hang'd.
I beseech your highness, do not marry me to a whore.DUKE VINCENTIO
Your highness said even now, I made you a duke:
good my lord, do not recompense me in making me a cuckold.
Upon mine honour, thou shalt marry her.LUCIO
Thy slanders I forgive; and therewithal
Remit thy other forfeits. Take him to prison;
And see our pleasure herein executed.
Marrying a punk, my lord, is pressing to death,
whipping, and hanging. BFI list of Screwball Comedies RECOMMENDED SCREWBALL COMEDIES
.
Peter Brooks, Seduced by Story: The Use and Abuse of Narrative (2023)K
Crystal LoPilato, "Garcetti v. Ceballos: Public Employees Lose First Amendment Protection for Speech Within Their Job Duties," Berkeley Journal of Employment and Labor Law, Vol. 27, No. 2 (2006), pp. 537-44
John Milton, The Doctrine & Discipline of Divorce
Stanley Cavell, Preface to Updated Edition of Must We Mean What We Say?
CHAPTER I
THE ONE THING NEEDFULCharles Dickens, Hard TimesN
NOTHING BELOW IS REQUIRED FOR THIS COURSE. YOU MAY IGNORE IT ALL.e film streaming. T
Kate Briggs, THIS LITTLE ART
365 pp. Fitzcarraldo Editions.
Medium Cool (1969) opening title sequence
Criterion Three Reasons: Medium CoolRiotsville, USA (2022)
Recommended:Nightcrawler (dir. Dan Gilroy, 2014)The last shot of Medium Cool is taken from the end of first shot of Jean-Luc Godard’s Contempt:https://www.youtube.com/watch?v=Ivvn6eRcMdoGodard took for his idea for doing the titles in voice-over in the opening shot of Contempt from the end titles of Orson Welles Magnificent Andersonshttps://www.youtube.com/watch?v=Kwkan2hM74Qrobert-kennedy-without-tears
This 1965 film comedy portrayed a female president for the first time in screen history.
Kisses-My-PresidentYorgos Lanthimos's English-language debut The Lobster (2015), France is a 2021 comedy-drama film written and directed by Bruno DumontThe Devil Is a Woman (dir. Josef von Sternberg, 1935)
Notes on Blindness (dir.Peter Middleton, James Spinney, 2016)
My Night at Maud'sAmour (dir. Micahel Handke, 200)
Charlotte RAMPLING OLD PERSON MAN 2019 W
here Is the Friend's House?
The Lobster
Three Colors: Blue (dir. KRZYSZTOF KIE?LOWSKI, 199??)
La Notte (dir. Michelangelo Antonioni, 1962)
The Seventh Seal (dir. Ingmar Bergman, 1957)
Ikiru (dir. Kurosawa, Akira, 1952)Ivan's Childhood (dir. Andrei Tarkovsky, 1963)961)
La Notte soundtrack G. Gaslini Quartet - Blues All'Alba (1961)
La Notte has been compared by one critic to Piet Mondrian's paintings in order to draw attention to the film's geometric abstraction.
All Light, Everywhere (2021)
Blow-Up (dir. Michelangelo Antonioni, 1966)
Stalker (dir. Andei Tarkovsky, 1979)
cant-hear-what-actors-are-saying-on-tv?-it's-not-you-probably-
Here’s How to Fix That.To better understand why TV shows are so dark, we compared them across a range of TVs
Kenny Wassus, Nov 23, 2022
Repetition is key to learning.
To learn how to understand a piece of music, a philosopher said, you have to hear it twice.A conductor of baroque music said you have to listen to repeated hearings before you understand it."How full of meaning and significance the language of music is we see from the repetition of signs, as well as from the Da capowhich would be intolerable in the case of works composed in the language of words. In music, however, they are very appropriate and beneficial; for to comprehend it fully, we must hear it twice."--Arthur Schopenhauer, "On the Metaphysics of Music"
Vienna and Schubert: 'Death and the Maiden' String Quartet - Professor Chris Hogwood CBE"The greatest pieces of music are called classics simply because at a first hearing--that is terribly...very complicated to work out what's going on or even more complicated to explain to yourself why it's going on--even to hear it has to be heard several times. Probably after first hearing, immediately go back and hear it again, and on repeated hearings repeated things come to light."--Christopher Hogwood
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https://www.youtube.com/watch?v=mTziL0Xwa-s timestamp 29:00 |
The Souvenir (dir Johanna Hogg, 2019)That Obscure Object of Desire (dir. Luis Buñuel, 1977) The Devil Is a Woman (dir. Josef von Sternberg, 1935)Summer with Monika (dir. Ingmar Bergman, 1953)
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