black page/s

Zounds!

Sterne's Challenge to the Reader: is made exlplicit on the pages before and after the marbled pages. On the page next to the first marbled page below, Sterne's narrator writes: "Read, read, read, read, my learned reader! read . . . "

c

On the next page (see below), the narrator begins to writing about Walter Shandy' rereading a dialogue by Erasmus. The narrator's account ends as follows: "If you are not a jot wiser by reading him the first time over--never fear--read him again . . . and . . . read . . . forty times through a piece, and never understand a single word."

The chapter begins with Latin beause Erasmus wrote in Latin. Walter Shandy is a fairly learned reader.

OK, then. If we extrapolate from this challenge located on these pages, how may we generalize about the novel as a whole? Can the novel be read, even by a learned reader? What does it mean to read it? What does reading mean? What does "mean" mean? (What is the difference between sense and nonsense, meaning and meaninglessness?) More concretely, what is a "learned reader" other than someone who knows a lot (has read a lot)? Does learning stop one from throwing down the book in frustration? How are we to read / look at marbled pages, especially when the narrator mentions only one marbled page? And what is the relation between the marbled page/s and the veiled black page/s the narrator mentions? What is the difference between print on paper and the page? And what does it mean for the narrator to call the marbled page an "emblem?" And don't forget the adjective Sterne uses for "emblem," namely, "motley" (what a jester wears).

Is the marbled page on 112 below to be read in relation to Chapter XXX on noses? Or is there no relation between the facing pages?

c

This title and edition are unique for having bound-in elements: the piece of real marbleized paper (bound in after p. 202, image below) was unique to the 1st edition of this title. Subsequent editions omitted the marbelized paper, but a printed facsimile was included in editions beginning in the mid 1940s (information from Gordon Neavill via MODLIB). The marbelized paper is part of the novel: "It is referenced in an address to the reader at the end of the immediately preceding Chapter 36 (of Book III): '... you will no more be able to penetrate the moral of the next marbled page (motley emblem of my work!) than the world with all its sagacity has been able to unravel the many opinions, transactions, and truths which still lie mystically hid under the dark veil of the black one.'" (quote from Bob Riedel via MODLIB)

v

  • This title also had a bound-in Modern Library catalog in the back of the book. Modern Library catalogs were typically printed in the back of the book if there were enough left over pages in the last signature. If there were not enough pages, the catalog was omitted. In the case of Tristram Shandy there were not enough pages to print the catalog in the last signature, but a copy was bound in: "This list is what bibliographers call an "inserted fold" ... the blank page [592] is the last page of the last gathering, and the 4-page ML list was tipped in. I guess they figured as long as a sheet of marbled paper was being tipped in they might as well tip in a ML list as well." (quote from Gordon Neavill via MODLIB).

  • c

    SIZE MATTERS! (Pocketsize book; published in nine volumes, each separately bound)

     

    black page/s

    sd

    d

    Digital facsimile of the text in the modernized in the modernized edition above.

    Zounds!

    black page/s