ENG 4133 1C26
cineNOma
Fall 2014
Discussion Questions, BIG WORDS, and three film analysis terms T 4, R 4-5 TUR 2334 Screenings: (Attendance at screenings is not required)
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Richard Burt is "an innovative and successful teacher who challenges Please email me only to send me class assignments. Otherwise, please talk to me in person after (not before) class or during office hours. Office: 4314 Turlington Hall (TUR) Phone: (352) 294-2824 Office Hours in 4314 TUR: Tu 11:35 a.m.-1:05 p.m., Thursdays 12:35 p.m. to 2:05 p.m., and by appointment IS FILM OVER? WHAT IS THE FUTURE OF DIGITAL FILM? “Students with disabilities requesting accommodations should first register with the Disability Resource Center (352-392-8565, www.dso.ufl.edu/drc/) by providing appropriate documentation. Once registered, students will receive an accommodation letter which must be presented to the instructor when requesting accommodation. Students with disabilities should follow this procedure as early as possible in the semester.” |
"Why Teach What You Already Know?" "I want to pay tribute to his memory here and to recall all that I owe to the trust and encouragement he gave me, even when, as he one day told me, he did not see at all where I was going. That was in 1966 during a colloquium in the United States in which we were both taking part. After a few friendly remarks on the paper I had just given, Jean Hippolyte added, “That said, I really don’t see where you are going.” I think I replied to him more or less as follows: “If I clearly saw ahead of time where I was going, I don’t really believe that I would take another step to get there.” Perhaps I then thought that knowing where one is going may no doubt help in orienting one’s thinking, but that it has never made anyone take a single step, quite the opposite in fact. What is the good of going where one knows oneself to be going and where one knows that one is destined to arrive? Recalling this reply today, I am not sure that I really understand it very well, but it surely did not mean that I never see or never know where I am going and that to this this extent, to the extent that I do not know, it I not certain that I ever taken any step or said anything at all." --Jacques Derrida, "Punctuations: The Time of a Thesis," in The Eyes of the Univerversity, 115 |
ANTICIPATORY LEARNING
from Thomas Mann, Doktor Faustus, p. 63
Reading is a vice which can replace all other vices or temporarily take their place in more intensely helping people live, it is an aberration a consuming passion. No, I don’t take any drugs, I take books, of course I have certain preferences, many books don’t suit me at all, some I take only in the morning, others at night, there are books I don’t ever let go, I drag them around with me in the apartment, carrying them from the living room into the kitchen, I read them in the hall standing up, I don’t use a bookmark, I don’t move my lips while reading, early on I learned to read very well, I don’t remember the method, but you ought to look into it. They must have used an excellent method in our provincial elementary schools, at least back when I learned to read.
--Ingeborg Bachmann, Malina: A Novel, trans. Philip Boehm (Teaneck, NJ: Holmes & Meier, 1990), 57-58
How we'd cover Ferguson if it happened in another country
Farhenheit 451 paratext
Juan Luis Borges, "Pierre Menard, Author of Don Quixote"
Carlo Ginzburg, Clues
Martin Scorcese on pan and scan versus letterboxing
Warner Brothers high def website; Toshiba's "dead" website The Look and Sound of Perfect HD-DVD website (YouTube trailer)
Carlo Ginzburg, Clues
Walter Benjamin, "The Work of Art in the Age of its Reproducibility"
Jacques Derrida in Ghost Dance
Avital Ronell on the examined life
Sigmund Freud, "Dreams and Telepathy"
Sigmund Freud, "Psycho-analysis and Telepathy"
Sigmund Freud, "Mourning and Melancholia"
Sigmund Freud, Beyond the Pleasure Principle standard edition
Derrida on invention and illegality
Jacques Derrida in Ghost Dance
Avital Ronell on the examined life
Friedrich Schlegel, "On Incomprehensibility"